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Russian Critics on the Cinema of Glasnost
Edited by Michael Brashinsky, Andrew Horton and William Rothman
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Book Presentation:
This collection brings together twenty-three essays by some of Russia's most astute commentators on film and culture, written during the 1980s and published here in English for the first time. Included are reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments illuminate important aspects of Russian filmmaking during this decade and capture a sense of a society in flux during the waning years of communism, as well as conveying the larger context within which Glasnost cinema and culture developed.
See the publisher website: Cambridge University Press
> From the same authors:
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Three Documentary Filmmakers (2009)
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Reading Cavell's the World Viewed (2000)
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Updated and Expanded edition
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The Power and the Glory, Easy Living, and Remember the Night
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The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
by Andrew Horton and Michael Brashinsky
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The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
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> On a related topic:
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Modern Russian Cinema as a Battleground in Russia's Information War (2024)
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Subject: Countries > Russia / USSR
Learn Russian through Contemporary Short Film (2024)
Subject: Countries > Russia / USSR
Caught In-Between (2020)
Intermediality in Contemporary Eastern European and Russian Cinema
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Psychomotor Aesthetics (2020)
Movement and Affect in Modern Literature and Film
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Memory Politics in Contemporary Russia (2020)
Television, Cinema and the State
Subject: Countries > Russia / USSR
Conspiracy Culture (2020)
Post-Soviet Paranoia and the Russian Imagination
Subject: Countries > Russia / USSR
The Filmmaker's Philosopher (2019)
Merab Mamardashvili and Russian Cinema
Subject: Countries > Russia / USSR
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