On a related topic:
The Use and Abuse of Cinema (2015)
German Legacies from the Weimar Era to the Present
Subject: History of Cinema
Street with No Name (2021)
A History of the Classic American Film Noir
Conrad Veidt, Demon of the Silver Screen (2023)
His Life and Works in Context
Subject: Actor > Conrad Veidt
The Haunted Screen (2008)
Expressionism in the German Cinema and the Influence of Max Reinhardt
The Gorgon's Gaze
German Cinema, Expressionism, and the Image of Horror
by Paul Coates, William Rothman and Dudley Andrew
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Book Presentation:
This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.
See the publisher website: Cambridge University Press
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(Sansho the Bailiff)
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Sansho Dayu / Sansho the Baliff (2000)
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Mists of Regret (1995)
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