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On a related topic:

The Use and Abuse of Cinema:German Legacies from the Weimar Era to the Present

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German Legacies from the Weimar Era to the Present

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Street with No Name:A History of the Classic American Film Noir

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The Many Faces of Weimar Cinema:Rediscovering Germany's Filmic Legacy

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Rediscovering Germany's Filmic Legacy

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Subject: Countries > Germany

German Expressionist Cinema:The World of Light and Shadow

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The World of Light and Shadow

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Subject: Silent Cinema

The Haunted Screen:Expressionism in the German Cinema and the Influence of Max Reinhardt

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Expressionism in the German Cinema and the Influence of Max Reinhardt

by Lotte H. Eisner

Subject: Countries > Germany

A Culture Of Light:Cinema And Technology In 1920s Germany

A Culture Of Light (2005)

Cinema And Technology In 1920s Germany

by Frances Guerin

Subject: Silent Cinema

The Gorgon's Gaze

German Cinema, Expressionism, and the Image of Horror

by Paul Coates, William Rothman and Dudley Andrew

Type
Studies
Subject
GenreHorror
Keywords
expressionism, history of cinema, film noir, Germany, monsters
Publishing date
1991
Publisher
Cambridge University Press
Collection
Cambridge Studies in Film
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 304 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-521-38409-5
978-0-521-38409-4
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Book Presentation:
This interdisciplinary study of recurrent themes in German cinema as it has developed since the early twentieth century focuses on pertinent films of the pre- and post-World War II eras. The author explores the nature of expressionism, which is generally agreed to have ended with the advent of sound, and its persistence in the styles of such modern masters of film noir as Orson Welles and Ingmar Bergman. In considering the possibility of homologies between the necessary silence of pre-sound cinema and the widespread modernist aspiration to an aesthetic of silence, Coates relates theories of the sublime, the uncanny, and the monstrous to his subject. He also reflects upon problems of representability and the morality of representation of events that took place during the Nazi era.

See the publisher website: Cambridge University Press

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The Holiday in His Eye:Stanley Cavell's Vision of Film and Philosophy

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Must We Kill the Thing We Love?:Emersonian Perfectionism and the Films of Alfred Hitchcock

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Emersonian Perfectionism and the Films of Alfred Hitchcock

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Hitchcock:The Murderous Gaze

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Three Documentary Filmmakers:Errol Morris, Ross McElwee, Jean Rouch

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The Red and the White:The Cinema of People's Poland

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The 'I' of the Camera:Essays in Film Criticism, History, and Aesthetics

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Essays in Film Criticism, History, and Aesthetics

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Reading Cavell's the World Viewed:A Philosophical Perspective on Film

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Mists of Regret:Culture and Sensibility in Classic French Film

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Culture and Sensibility in Classic French Film

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Breathless:Jean-Luc Godard, director

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Jean-Luc Godard, director

by Dudley Andrew

Subject: One Film > Breathless

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