Conspiracy Culture
Post-Soviet Paranoia and the Russian Imagination
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Contemporary Russia stands apart as one of the most prolific generators of conspiracy theories and paranoid rhetoric. Conspiracy Culture traces the roots of the phenomenon within the sphere of culture and history, examining the long arc of Russian paranoia from the present moment back to earlier nineteenth-century sources, such as Dostoevsky’s anti-nihilist novel Demons.
Conspiracy Culture examines the use of conspiracy tropes by contemporary Russian authors and filmmakers including the postmodernist writer Viktor Pelevin, the conservative author and pundit Aleksandr Prokhanov, and the popular director Timur Bekmambetov. It also explores paranoia as an instrument within contemporary Russian political rhetoric, as well as in pseudo-historical works. What stands out is the manner in which popular paranoia is utilized to express broadly shared fears not only of a long-standing anti-Russian conspiracy undertaken by the West, but also about the destruction of the country’s cultural and spiritual capital within this imagined "Russophobic" plot.
About the Author:
Keith A. Livers is an associate professor in the Department of Slavic and Eurasian Studies at the University of Texas at Austin.
See the publisher website: University of Toronto Press
> On a related topic:
Pride and Panic (2007)
Russian Imagination of the West in Post-Soviet Film
Subject: Countries > Russia / USSR
Early Cinema in Russia (1998)
and Its Cultural Reception
by Yuri Tsivian
Subject: Countries > Russia / USSR
The New Russian Documentary (2025)
Reclaiming Reality in the Age of Authoritarianism
Dir. Masha Shpolberg and Anastasia Kostina
Subject: Countries > Russia / USSR
Modern Russian Cinema as a Battleground in Russia's Information War (2024)
Dir. Alexander Rojavin and Helen Haft
Subject: Countries > Russia / USSR
Learn Russian through Contemporary Short Film (2024)
Subject: Countries > Russia / USSR
Psychomotor Aesthetics (2020)
Movement and Affect in Modern Literature and Film
Subject: Countries > Russia / USSR
Caught In-Between (2020)
Intermediality in Contemporary Eastern European and Russian Cinema
Dir. Agnes Petho
Subject: Countries > Russia / USSR
Memory Politics in Contemporary Russia (2020)
Television, Cinema and the State
Subject: Countries > Russia / USSR
Ruptures and Continuities in Soviet/Russian Cinema (2019)
Styles, characters and genres before and after the collapse of the USSR
Dir. Birgit Beumers and Eugenie Zvonkine
Subject: Countries > Russia / USSR