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The 'I' of the Camera
Essays in Film Criticism, History, and Aesthetics
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Description de l'ouvrage:
Originally published in 1988, The "I" of the Camera has become a classic in the literature of film. This second edition includes fourteen new essays, as well as a new foreword. Offering alternatives to the viewing and criticism of film, William Rothman challenges readers to think about film in adventurous ways that are more open to our experience of movies. In explaining the "American" quality of American film, Rothman argues compellingly that movies have inherited the philosophical perspective of American transcendentalism. First Edition Hb (1988): 0-521-36048-X First Edition Pb (1988): 0-521-36828-6.
Voir le site internet de l'éditeur Cambridge University Press
> Du même auteur :
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Essays at the Intersection of Film Criticism and Philosophy
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Looking with Robert Gardner (2016)
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Must We Kill the Thing We Love? (2014)
Emersonian Perfectionism and the Films of Alfred Hitchcock
Sujet : Director > Alfred Hitchcock
Three Documentary Filmmakers (2009)
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Reading Cavell's the World Viewed (2000)
A Philosophical Perspective on Film
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Sujet : Theory
Russian Critics on the Cinema of Glasnost (1994)
Dir. Michael Brashinsky, Andrew Horton et William Rothman
Sujet : Countries > Russia / USSR
The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
> Sur un thème proche :
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance et R. Barton Palmer
Sujet : Theory
Jung and Film (2001)
Post-Jungian Takes on the Moving Image
Dir. Christopher Hauke et Ian Alister
Sujet : Film Analysis
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz et Andrea Ruthven
Sujet : Theory
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