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The Films of Theo Angelopoulos

A Cinema of Contemplation

de Andrew Horton

Type
Studies
Sujet
DirectorTheo Angelopoulos
Mots Clés
Theo Angelopoulos, director, Greece
Année d'édition
1999
Editeur
Princeton University Press
Collection
Princeton Modern Greek Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 256 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN-10
ISBN-13
0-691-01005-6
978-0-691-01005-2
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Description de l'ouvrage:
Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form.

In a series of films including The Travelling Players, Voyage to Cythera, Landscape in the Mist, The Suspended Step of the Stork, and most recently in Ulysses' Gaze starring Harvey Keitel (winner of the 1995 Cannes Film Festival Grand Prix), Angelopoulos has developed a remarkable cinematic style, characterized by carefully composed scenes and an enormous number of extended long shots. In an age of ever decreasing attention spans, Angelopoulos offers a cinema of contemplation.

À propos de l'auteur :
Andrew Horton is Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is the author of Writing the Character Centered Screenplay, Russian Critics on a Cinema of Glasnost, and Comedy/Cinema/Theory, and coauthor, with Michael Brashinsky, of The Zero Hour: Glasnost and Soviet Cinema in Transition.

Voir le site internet de l'éditeur Princeton University Press

Voir la filmographie complète de Theo Angelopoulos sur le site IMDB ...

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