Russian Critics on the Cinema of Glasnost
(livre en anglais)
Sous la direction de Michael Brashinsky, Andrew Horton et William Rothman
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage :
This collection brings together twenty-three essays by some of Russia's most astute commentators on film and culture, written during the 1980s and published here in English for the first time. Included are reviews of films such as Little Vera and Taxi Blues, which were critically hailed in the West. Their comments illuminate important aspects of Russian filmmaking during this decade and capture a sense of a society in flux during the waning years of communism, as well as conveying the larger context within which Glasnost cinema and culture developed.
Voir le site internet de l'éditeur Cambridge University Press
> Des mêmes auteurs :
Tuitions and Intuitions (2019)
Essays at the Intersection of Film Criticism and Philosophy
Sujet : L'analyse de films
Looking with Robert Gardner (2016)
Dir. Rebecca Meyers, William Rothman et Charles Warren
Sujet : Réalisateur > Robert Gardner
Must We Kill the Thing We Love? (2014)
Emersonian Perfectionism and the Films of Alfred Hitchcock
Sujet : Réalisateur > Alfred Hitchcock
Three Documentary Filmmakers (2009)
Errol Morris, Ross McElwee, Jean Rouch
Dir. William Rothman
Sujet : Genre > Documentaire
Screenwriting for a Global Market (2004)
Selling Your Scripts from Hollywood to Hong Kong
Reading Cavell's the World Viewed (2000)
A Philosophical Perspective on Film
de Marian Keane et William Rothman
Sujet : Théorie
Writing the Character-Centered Screenplay (2000)
Updated and Expanded edition
The Films of Theo Angelopoulos (1999)
A Cinema of Contemplation
Sujet : Réalisateur > Theo Angelopoulos
Three More Screenplays by Preston Sturges (1998)
The Power and the Glory, Easy Living, and Remember the Night
de Preston Sturges et Andrew Horton
Sujet : Un Film > L'Aventure d'une nuit, Thomas Garner, La Vie facile
The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
de Andrew Horton et Michael Brashinsky
Sujet : Pays > Russie / URSS
The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
> Sur un thème proche :
The New Russian Documentary (2025)
Reclaiming Reality in the Age of Authoritarianism
Dir. Masha Shpolberg et Anastasia Kostina
Sujet : Pays > Russie / URSS
Glasnost-Soviet Cinema Responds (1991)
de Nicholas Galichenko et Robert Allington
Sujet : Pays > Russie / URSS
Psychomotor Aesthetics (2020)
Movement and Affect in Modern Literature and Film
Sujet : Pays > Russie / URSS
Caught In-Between (2020)
Intermediality in Contemporary Eastern European and Russian Cinema
Dir. Agnes Petho
Sujet : Pays > Russie / URSS
Memory Politics in Contemporary Russia (2020)
Television, Cinema and the State
Sujet : Pays > Russie / URSS
Conspiracy Culture (2020)
Post-Soviet Paranoia and the Russian Imagination
Sujet : Pays > Russie / URSS
Ruptures and Continuities in Soviet/Russian Cinema (2019)
Styles, characters and genres before and after the collapse of the USSR
Dir. Birgit Beumers et Eugenie Zvonkine
Sujet : Pays > Russie / URSS