Sansho Dayu
(Sansho the Bailiff)
by Dudley Andrew and Carole Cavanaugh
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Kenji Mizoguchi's masterpiece Sansho Dayu (1954) retells a classic Japanese folktale about an eleventh-century feudal official forced into exile by his political enemies. In his absence, his children fall under the corrupting influence of the malevolent bailiff Sansho. In their study of the film, film scholar Dudley Andrew and Japanese literature professor Carole Cavanaugh highlight the cultural, aesthetic and social contexts of this film which is at once rooted in folk legend and a modern artwork released in the aftermath of World War II. This edition includes a new foreword by the authors in which they consider the film's contemporary parallels in modern slavery and children torn from their families by malevolent authorities.
See the publisher website: BFI Publishing
Previous edition
Sansho Dayu / Sansho the Baliff (2000)
by Dudley Andrew and Carole Cavanaugh
Publisher: BFI Publishing
(previous edition)
Subject: One Film > Sansho the Bailiff
See Sansho the Bailiff (1954) on IMDB ...
> From the same authors:
Opening Bazin (2011)
Postwar Film Theory and Its Afterlife
Dir. Dudley Andrew and Herve Joubert-Laurencin
Subject: Theory
Mists of Regret (1995)
Culture and Sensibility in Classic French Film
The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
by Paul Coates, William Rothman and Dudley Andrew
> On a related topic: