Books in French are on www.livres-cinema.info
MENU   

A Culture Of Light

Cinema And Technology In 1920s Germany

by Frances Guerin

Type
Studies
Subject
Silent Cinema
Keywords
silent cinema, Germany, expressionism, light
Publishing date
2005
Publisher
University of Minnesota Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 352 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-8166-4286-9
978-0-8166-4286-1
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Cinema is a medium of light. And during Weimar Germany's advance to technological modernity, light - particularly the representational possibilities of electrical light - became the link between the cinema screen and the rapid changes that were transforming German life.In Frances Guerin's compelling history of German silent cinema of the 1920s, the innovative use of light is the pivot around which a new conception of a national cinema, and a national culture emerges. Guerin depicts a nocturnal Germany suffused with light - electric billboards, storefronts, police searchlights - and shows how this element of the mise-en-scene came to reflect both the opportunities and the anxieties surrounding modernity and democracy. Guerin's interpretations center on use of light in films such as Schatten (1923), Variete (1925), Metropolis (1926), and Der Golem (1920). In these films we see how light is the substance of image composition, the structuring device of the narrative, and the central thematic concern. This history relieves German films of the responsibility to explain the political and ideological instability of the period, an instability said to be the uncertain foundation of Nazism. In unlocking this dubious link, A Culture of Light redefines the field of German film scholarship.

About the Author:
Frances Guerin is a lecturer in film studies at the University of Kent, Canterbury.

See the publisher website: University of Minnesota Press

> From the same author:

The Image and the Witness:Trauma, Memory, and Visual Culture

The Image and the Witness (2007)

Trauma, Memory, and Visual Culture

Dir. Frances Guerin and Roger Hallas

Subject: Theory

> On a related topic:

German Expressionist Cinema:The World of Light and Shadow

German Expressionist Cinema (2008)

The World of Light and Shadow

by Ian Roberts

Subject: Silent Cinema

The Haunted Screen:Expressionism in the German Cinema and the Influence of Max Reinhardt

The Haunted Screen (2008)

Expressionism in the German Cinema and the Influence of Max Reinhardt

by Lotte H. Eisner

Subject: Countries > Germany

Historical Turns:Weimar Cinema and the Crisis of Historicism

Historical Turns (2024)

Weimar Cinema and the Crisis of Historicism

by Nicholas Baer

Subject: Silent Cinema

Afterlives:Allegories of Film and Mortality in Early Weimar Germany

Afterlives (2016)

Allegories of Film and Mortality in Early Weimar Germany

by Steve Choe

Subject: Silent Cinema

The Promise of Cinema:German Film Theory, 1907–1933

The Promise of Cinema (2016)

German Film Theory, 1907–1933

Dir. Anton Kaes, Nicholas Baer and Michael Cowan

Subject: Theory

The Use and Abuse of Cinema:German Legacies from the Weimar Era to the Present

The Use and Abuse of Cinema (2015)

German Legacies from the Weimar Era to the Present

by Eric Rentschler

Subject: History of Cinema

The Hygienic Apparatus:Weimar Cinema and Environmental Disorder

The Hygienic Apparatus (2022)

Weimar Cinema and Environmental Disorder

by Paul Dobryden

Subject: Countries > Germany

The Long Century's Long Shadow:Weimar Cinema and the Romantic Modern

The Long Century's Long Shadow (2021)

Weimar Cinema and the Romantic Modern

by Kenneth S. Calhoon

Subject: Countries > Germany

The Shape of Spectatorship:Art, Science, and Early Cinema in Germany

The Shape of Spectatorship (2015)

Art, Science, and Early Cinema in Germany

by Scott Curtis

Subject: Countries > Germany

11749 books listed   •   (c)2024-2025 cinemabooks.info   •