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The Holiday in His Eye

Stanley Cavell's Vision of Film and Philosophy (livre en anglais)

de William Rothman

Type
Etudes
Sujet
Théorie
Mots Clés
philosophie, Stanley Cavell, esthétique
Année d'édition
2022
1ere édition
2021
Editeur
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 304 pages
18 x 25,5 cm
ISBN
978-1-4384-8606-2
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Description de l'ouvrage :
Presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

From The World Viewed to Cities of Words, writing about movies was strand over strand with Stanley Cavell's philosophical work. Cavell was one of the first philosophers in the United States to make film a significant focus of his thought, and William Rothman has long been one of his most astute readers. The Holiday in His Eye collects Rothman's writings about Cavell—many of them previously unpublished—to offer a lucid, serious introduction to and overview of Cavell's work, the influence of which has been somewhat limited by both the intrinsic difficulty of his ideas and his challenging prose style. In these engaging and accessible yet philosophically serious and rigorously argued essays, Rothman presents an original, insightful, and compelling vision of the trajectory of Cavell's oeuvre, one that takes Cavell's kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

À propos de l'auteur :
William Rothman is Professor of Cinematic Arts at the University of Miami. His many books include Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy and Hitchcock: The Murderous Gaze, Second Edition, both also published by SUNY Press.

Voir le site internet de l'éditeur State University of New York Press

> Du même auteur :

Tuitions and Intuitions:Essays at the Intersection of Film Criticism and Philosophy

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Essays at the Intersection of Film Criticism and Philosophy

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Must We Kill the Thing We Love?:Emersonian Perfectionism and the Films of Alfred Hitchcock

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