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Tuitions and Intuitions

Essays at the Intersection of Film Criticism and Philosophy (livre en anglais)

de William Rothman

Type
Essais
Sujet
L'analyse de films
Mots Clés
philosophie, analyse
Année d'édition
2019
Editeur
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 412 pages
16 x 23 cm
ISBN
978-1-4384-7578-3
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Description de l'ouvrage :
Makes the case that philosophy has an essential role to play in the serious study of film.

William Rothman has long been considered one of the seminal figures in the field of film-philosophy. From his landmark book Hitchcock: The Murderous Gaze, now in its second edition, to the essays collected here in Tuitions and Intuitions, Rothman has been guided by two intuitions: first, that his kind of film criticism is philosophy; and second, that such a marriage of criticism and philosophy has an essential part to play in the serious study of film. In this book, he aspires, borrowing a formulation from Emerson, to "pay the tuition" for these intuitions.

Thoughtful, philosophically sophisticated, and provocative, the essays included here address a wide range of films, including classical Hollywood movies; the work of "auteur" directors like Alfred Hitchcock, George Cukor, Yasujirō Ozu, and Woody Allen; performances by John Barrymore and James Stewart; unconventional works by Jean Genet, Chantal Akerman, Terrence Malick, and the Dardenne brothers; the television series Justified; and documentaries by Jean Rouch, Ross McElwee, and Robert Gardner. All the essays address questions of philosophical significance and, taken together, manifest Rothman's lifelong commitment when writing about a film, to respect the film's own ideas; to remain open to the film's ways of expressing its ideas; and to let the film help teach him how to view it, how to think about it, and how to discover what he has at heart to say about it.

À propos de l'auteur :
William Rothman is Professor of Cinema and Interactive Media at the University of Miami. His previous books include, as author, Hitchcock: The Murderous Gaze; as editor, Cavell on Film and Three Documentary Filmmakers: Errol Morris, Ross McElwee, and Jean Rouch; and as coeditor, with Rebecca Meyers and Charles Warren, Looking with Robert Gardner, all published by SUNY Press.

Revue de Presse :
"Tuitions and Intuitions is simply indispensable to anyone interested in philosophy and in film as philosophy. This book as a whole expresses and exemplifies moral perfectionism through the exploration of what our self becomes with this experience of cinema." — Sandra Laugier, University Panthéon Sorbonne, Paris

"Bringing Rothman's work together highlights patterns and consistent concerns that may not otherwise be obvious to readers. The book will be invaluable to current and future Rothman scholars." — Kyle Stevens, author of Mike Nichols: Sex, Language, and the Reinvention of Psychological Realism

Voir le site internet de l'éditeur State University of New York Press

> Du même auteur :

The Holiday in His Eye:Stanley Cavell's Vision of Film and Philosophy

The Holiday in His Eye (2022)

Stanley Cavell's Vision of Film and Philosophy

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Must We Kill the Thing We Love?:Emersonian Perfectionism and the Films of Alfred Hitchcock

Must We Kill the Thing We Love? (2014)

Emersonian Perfectionism and the Films of Alfred Hitchcock

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Hitchcock:The Murderous Gaze

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Three Documentary Filmmakers:Errol Morris, Ross McElwee, Jean Rouch

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The 'I' of the Camera:Essays in Film Criticism, History, and Aesthetics

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Essays in Film Criticism, History, and Aesthetics

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Reading Cavell's the World Viewed:A Philosophical Perspective on Film

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The Gorgon's Gaze:German Cinema, Expressionism, and the Image of Horror

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Hitchcock:The Murderous Gaze

Hitchcock (1982)

The Murderous Gaze

de William Rothman

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> Sur un thème proche :

Jung and Film:Post-Jungian Takes on the Moving Image

Jung and Film (2001)

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The Material Ghost:Films and Their Medium

The Material Ghost (2000)

Films and Their Medium

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Thinking in the Dark:Cinema, Theory, Practice

Thinking in the Dark (2015)

Cinema, Theory, Practice

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How a Film Theory Got Lost:and Other Mysteries in Cultural Studies

How a Film Theory Got Lost (2001)

and Other Mysteries in Cultural Studies

de Robert B. Ray

Sujet : Théorie

Plato and Popcorn:A Philosopher's Guide to 75 Thought-Provoking Movies

Plato and Popcorn (2004)

A Philosopher's Guide to 75 Thought-Provoking Movies

de William G. Smith

Sujet : Les Films > Sélections de films

Melancholy Emotion in Contemporary Cinema:A Spinozian Analysis of Film Experience

Melancholy Emotion in Contemporary Cinema (2020)

A Spinozian Analysis of Film Experience

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The Structures of the Film Experience by Jean-Pierre Meunier:Historical Assessments and Phenomenological Expansions

The Structures of the Film Experience by Jean-Pierre Meunier (2019)

Historical Assessments and Phenomenological Expansions

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The Shadow Self in Film:Projecting the Unconscious Other

The Shadow Self in Film (2014)

Projecting the Unconscious Other

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