The Chicano Documentary
(livre en anglais)
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage :
Filmmaker, director and producer Jesús Salvador Treviño writes that motion pictures made by Latinos over the past 50 years are crucial in understanding the American experience. Without them, people "would be ignorant of important and overlooked aspects of their own history." In this sweeping look at 41 indispensable Chicano documentaries, Treviño examines the history of non-fiction cinema made by Mexican Americans from 1969 to the present. In the first chapter, he sets the stage, providing details about the origins and precursors of this artistic genre as well as the history of the Chicano civil rights movement, which inspired the emergence of these movies. The ones selected for inclusion are organized thematically in 14 chapters; topics include--among many others--identity, the Chicana, songs, art, Vietnam and queer struggle. Treviño describes each one thoroughly and includes interviews with the filmmakers about the research, writing, editing and filming. The rich diversity of works includes I Am Joaquín by Luis Valdez; Chicana by Sylvia Morales; A Class Apart by Carlos Sandoval and The Bronze Screen by Nancy de los Santos, Susan Racho and Alberto Dominguez. Leading filmmakers such as Paul Espinosa, Héctor Galán, Lourdes Portillo, Rick Tejada-Flores and Ray Telles are represented, as are others who are less well-known. Containing a foreword by Dr. Charles Ramírez Bird and an appendix of all the documentaries Treviño could find produced between 1969-2024, this carefully researched and well-written volume is a must read for anyone interested in film and US history as seen through the eyes of Latinos. These landmark productions are, as the author asserts, "essential to understanding who we are as a nation."
À propos de l'auteur :
JESÚS SALVADOR TREVIÑO is an award-winning filmmaker, known for his pioneering documentaries and feature films about the Chicano experience. He is the author of The Fabulous Sinkhole and Other Stories (Arte Público Press, 1995), The Skyscraper that Flew (Arte Público Press, 2005), Return to Arroyo Grande (Arte Público Press, 2015) and a critically acclaimed memoir, Eyewitness: A Filmmaker's Memoir of the Chicano Movement (Arte Público Press, 2001). He lives in Los Angeles, California.
Voir le site internet de l'éditeur Arte Público Press
> Sur un thème proche :
American Masculinities in Contemporary Documentary Film (2024)
Up Close Behind the Mask
de Sara Martín
Sujet : Genre > Documentaire
Beyond Bias (2021)
Conservative Media, Documentary Form, and the Politics of Hysteria
de Scott Krzych
Sujet : Genre > Documentaire
The Possible South (2020)
Documentary Film and the Limitations of Biraciality
Sujet : Genre > Documentaire
American Documentary Filmmaking in the Digital Age (2018)
Depictions of War in Burns, Moore, and Morris
Sujet : Genre > Documentaire
Projecting Race (2016)
Postwar America, Civil Rights, and Documentary Film
Sujet : Genre > Documentaire
Celluloid Pueblo (2016)
Western Ways Films and the Invention of the Postwar Southwest
Sujet : Genre > Documentaire