Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Projecting Race (2016)
Postwar America, Civil Rights, and Documentary Film
Sujet : Genre > Documentaire
Celluloid Pueblo (2016)
Western Ways Films and the Invention of the Postwar Southwest
Sujet : Genre > Documentaire
American Masculinities in Contemporary Documentary Film (2024)
Up Close Behind the Mask
de Sara Martín
Sujet : Genre > Documentaire
Beyond Bias (2021)
Conservative Media, Documentary Form, and the Politics of Hysteria
de Scott Krzych
Sujet : Genre > Documentaire
American Documentary Filmmaking in the Digital Age (2018)
Depictions of War in Burns, Moore, and Morris
Sujet : Genre > Documentaire
Reel Nature (2009)
America's Romance with Wildlife on Film
de Gregg Mitman
Sujet : Genre > Documentaire
The Rhetoric of the New Political Documentary (2008)
Dir. Thomas W. Benson et Brian J. Snee
Sujet : Genre > Documentaire
The Possible South
Documentary Film and the Limitations of Biraciality (livre en anglais)
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Description de l'ouvrage :
Using cultural theory, author R. Bruce Brasell investigates issues surrounding the discursive presentation of the American South as biracial and explores its manifestation in documentary films, including such works as Tell about the South, bro-ken/ground, and Family Name. After considering the emergence of the region's biraciality through a consideration of the concepts of racial citizenry and racial performativity, Brasell examines two problems associated with this framework. First, the framework assumes racial purity, and, second, it assumes that two races exist. In other words, biraciality enacts two denials, first, the existence of miscegenation in the region and, second, the existence of other races and ethnicities. Brasell considers bodily miscegenation, discussing the racial closet and the southeastern expatriate road film. Then he examines cultural miscegenation through the lens of racial poaching and 1970s southeastern documentaries that use redemptive ethnography. In the subsequent chapters, using specific documentary films, he considers the racial in-betweenness of Spanish-speaking ethnicities (Mosquitoes and High Water, Living in America, Nuestra Communidad), probes issues related to the process of racial negotiation experienced by Asian Americans as they seek a racial position beyond the black and white binary (Mississippi Triangle), and engages the problem of racial legitimacy confronted by federally nonrecognized Native groups as they attempt the same feat (Real Indian).
À propos de l'auteur :
R. Bruce Brasell has published on film and issues of sexuality, race, and American regionalism in Cinema Journal, Film History, Journal of Film & Video, Film Criticism, Jump Cut, Wide Angle, Mississippi Quarterly, and several anthologies.
Voir le site internet de l'éditeur University Press of Mississippi
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