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American Documentary Filmmaking in the Digital Age

Depictions of War in Burns, Moore, and Morris (livre en anglais)

de Lucia Ricciardelli

Type
Etudes
Sujet
GenreDocumentaire
Mots Clés
documentaire, Etats-Unis, 21e siècle
Année d'édition
2018
1ere édition
2014
Editeur
Routledge
Collection
Routledge Advances in Film Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 188 pages
16 x 24 cm
ISBN
978-1-138-54837-4
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Description de l'ouvrage :
American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

À propos de l'auteur :
Lucia Ricciardelli is Assistant Professor in the School of Film and Photography at Montana State University, US.

Voir le site internet de l'éditeur Routledge

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