Sur un thème proche :
The Rhetoric of the New Political Documentary (2008)
Dir. Thomas W. Benson et Brian J. Snee
Sujet : Genre > Documentaire
The Representation of Perpetrators in Global Documentary Film (2025)
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Sujet : Genre > Documentaire
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Building the Soviet and Cuban Nations
Sujet : Genre > Documentaire
Chavez (2009)
The Revolution Will Not Be Televised:A Case Study of Politics and the Media
de Rod Stoneman
Sujet : Genre > Documentaire
American Masculinities in Contemporary Documentary Film (2024)
Up Close Behind the Mask
de Sara Martín
Sujet : Genre > Documentaire
The Possible South (2020)
Documentary Film and the Limitations of Biraciality
Sujet : Genre > Documentaire
American Documentary Filmmaking in the Digital Age (2018)
Depictions of War in Burns, Moore, and Morris
Sujet : Genre > Documentaire
Beyond Bias
Conservative Media, Documentary Form, and the Politics of Hysteria (livre en anglais)
de Scott Krzych
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Description de l'ouvrage :
Beyond Bias offers the first scholarly study of contemporary right-wing documentary film and video. Drawing from contemporary work in political theory and psychoanalytic theory, the book identifies what author Scott Krzych describes as the hysterical discourse prolific in conservative documentary in particular, and right-wing media more generally. In its hysterical mode, conservative media emphasizes form over content, relies on the spectacle of debate to avoid substantive dialogue, mimics the aesthetic devices of its opponents, reduces complex political issues to moral dichotomies, and relies on excessive displays of opinion to produce so much mediated "noise" as to drown out alternative perspectives or viewpoints.
Though often derided for its reliance on nonsense or hyperbole, conservative media marshals incoherence as its prized aesthetic and rhetorical weapon, a means to bolster the political status quo precisely by confusing those audiences who come into its orbit. As a work of documentary studies, Beyond Bias also places conservative non-fiction films in conversation with their more conventional counterparts, drawing insight from the manner by which conservative media hystericizes such issues as the archive, observational methods, directorial participation, and the often moral imperatives by which documentary filmmakers attempt to offer insight into their subjects.
À propos de l'auteur :
Scott Krzych teaches Film and Media Studies at Colorado College. His teaching and research focuses on political media, documentary, psychoanalytic theory, and film-philosophy.