Books in French are on www.livres-cinema.info
MENU   

Exile Cinema

Filmmakers at Work beyond Hollywood

Edited by Michael Atkinson

Type
Studies
Subject
CountriesWorld
Keywords
global, art films
Publishing date
2008
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 227 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-7914-7378-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Offers a cross section of international fringe cinema.

Outside the shrinking American film-culture market there is a vast movie-crazed world where madmen, geniuses, and apostates roam freely, subject to a relatively minimal degree of corporate industry and spin control. In Exile Cinema, prominent film critics profile the oeuvres of working, thriving international filmmakers—from Bela Tarr to Judith Helfand, from Kiyoshi Kurosawa and Guy Maddin to Chantal Akerman and Michele Soavi, from Chris Marker to the newest thresholds of contemporary film. These filmmakers battle the greatest odds a modern artist can face: the opposition of mass culture at large and a medium that requires enormous expenditures in every stage of production and distribution. Naturally, the average American moviehead rarely gets a chance to see these marginalized directors' work and often knows about them only through dazzled rumors and rhapsodic hearsay. Whimsical and deeply subjective, the viewpoints and evangelisms in Exile Cinema will serve as salve for the cineaste's lonesome fury.

About the Author:
Michael Atkinson is Professor of Film at the C. W. Post campus of Long Island University and former staff film critic for the Village Voice. His previous books include Flickipedia; Ghosts in the Machine: The Dark Heart of Pop Cinema; Blue Velvet; and a collection of poetry, One Hundred Children Waiting for a Train.

Press Reviews:
"This superb collection represents a 'who's who' of contemporary film criticism that brings the reader into closer contact with some of the most important filmmakers working today. Elegant and erudite, this is a key volume for twenty-first-century film studies, a volume to read again and again with pleasure and wonder." — Wheeler Winston Dixon

See the publisher website: State University of New York Press

> From the same author:

> On a related topic:

Global Art Cinema:New Theories and Histories

Global Art Cinema (2010)

New Theories and Histories

Dir. Rosalind Galt

Subject: Countries > World

Transnational Screens:Expanding the Borders of Transnational Cinema

Transnational Screens (2024)

Expanding the Borders of Transnational Cinema

Dir. Armida De La Garza, Ruth Doughty and Deborah Shaw

Subject: Countries > World

How the World Remade Hollywood:Global Interpretations of 65 Iconic Films

How the World Remade Hollywood (2022)

Global Interpretations of 65 Iconic Films

by Ed Glaser

Subject: Countries > World

Transnational Cinema at the Borders:Borderscapes and the cinematic imaginary

Transnational Cinema at the Borders (2020)

Borderscapes and the cinematic imaginary

Dir. Ana Cristina Mendes and John Sundholm

Subject: Countries > World

Foreign Language Films and the Oscar:The Nominees and Winners, 1948–2017

Foreign Language Films and the Oscar (2018)

The Nominees and Winners, 1948–2017

by Michael S. Barrett

Subject: Countries > World

Cinéma-monde:Decentred Perspectives on Global Filmmaking in French

Cinéma-monde (2018)

Decentred Perspectives on Global Filmmaking in French

Dir. Michael Gott and Thibaut Schilt

Subject: Countries > World

11749 books listed   •   (c)2024-2025 cinemabooks.info   •