Film Manifestos and Global Cinema Cultures

A Critical Anthology

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de Scott MacKenzie

Type: Studies
Sujet: Film Analysis
Mots Clés: analysis, aesthetics, politics, radical, global, art films
Année d'édition: 2021
Editeur: University of California Press
Langue: anglais

Taille du livre

Format

Paperback • 674 pages
7 x 10 inches (18 x 25.5 cm)

ISBN

978-0-520-37747-9

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Description de l'ouvrage:
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world.

This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.

À propos de l'auteur :
Scott MacKenzie is Adjunct Professor of FiIm and Media Studies at Queen’s University in Ontario. He is co-editor of The Perils of Pedagogy: The Works of John Greyson (2013) and author of Screening Québec: Québécois Moving Images, National Identity and the Public Sphere (2004).

Revue de Presse:
"Every so often, a book appears that instantly commands my attention as a work of inescapable importance. Film Manifestos and Global Cinema Cultures: A Critical Anthology is such a volume. . . .The most important film book of 2014."— Film International

"Scott MacKenzie’s astonishingly broad and amazingly thorough assembly of some 180 manifestos, Film Manifestos and Global Cinema Cultures: A Critical Anthology, gives a vivid sense of the centrality of the manifesto to the breadth and scope of cinema as it exists today."— Film Quarterly

"The most important film book of the year. . . . required reading for both students and lovers of cinema."— CHOICE'Film Manifestos and Global Cinema Cultures is a strikingly massive and inclusive anthology of film manifestos that is notable for its global comprehensiveness and sheer quantity of surprises.

"— Canadian Journal of Film Studies
"This book offers an exciting and productive way of thinking about cinema, allowing the reader to become acquainted with a large range of important declarations on film and on its mission from across its history. This is a volume that every film scholar will want to have."

—Dana Polan, Professor of Cinema Studies, New York University

"Embracing the entire history of cinema, this work maps in detail territory barely explored hitherto, and is fully contextualized through historically informed and theoretically informative commentary that places the manifesto at the heart of film history and film culture. A hugely impressive achievement."

—Annette Kuhn, co-author of the Oxford Dictionary of Film Studies

"This is a galvanizing collection of hundreds of calls to arms for the cinema. It's an inspiring affirmation of the core vitality of this most important art across decades and throughout the world."

—Bill Nichols, author of Introduction to Documentary, 2nd edition, and Engaging Cinema