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World Literature, Transnational Cinema, and Global Media

Towards a Transartistic Commons

by Robert Stam

Type
Studies
Subject
CountriesWorld
Keywords
global
Publishing date
2019
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 286 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-36959-7
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Book Presentation:
With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema, and media studies.

Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely adding to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema, music, and media that opens up analysis to new categories and concepts, while crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; Western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons.



World Literature, Transnational Cinema, and Global Media
is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels.

About the Author:
Robert Stam is University Professor at New York University. His books include François Truffaut and Friends; Literature through Film; Film Theory: An Introduction; and (with Ella Shohat) Unthinking Eurocentrism and Race in Translation. With work translated into sixteen languages, he has taught in France, Brazil, Tunisia, Germany, and the UAE.

Press Reviews:
"Robert Stam takes on the world—world literature, world cinema, world digital media, even world music—in this heaven-storming encyclopedia that shows what happens to all sorts of entertainment when it crosses national and cultural borders and gets reconceptualized, rebranded, marginalized, reviled, hailed, or all of the above. Although his canvas is vast, Stam is less a synthesizer intent on providing a single authoritative map revealing the relations among world literature, postcolonial literature, and transnational cinema than an effervescent and monumentally well-informed tour guide who wants to raise our consciousness, or a big-top carnival barker who invites us to celebrate carnival culture."

Thomas Leitch, University of Delaware

"World Literature, Transnational Cinema, and Global Media stages a much needed, layered, and illuminating dialogue between the related fields of literature, cinema, and media studies. All marked by a 'transnational turn', these fields share various methodologies and concerns, yet rarely talk to and learn from each other. In a beautifully orchestrated polylogue that engages fresh voices and perspectives, Stam not only addresses but actually moves across various kinds of borders—spatial, temporal, discursive, disciplinary, mediatic, textual—with incredible deftness, scope, and insight. In this invaluable book, border-crossing or 'trans' in all its permutations is not just a buzz word but an epistemological prerogative, a necessary way of thinking and understanding."

Meta Mazaj, Univesity of Pennsylvania

"Robert Stam’s pivotal position in film and literary studies is once again confirmed with this book, a sweeping account of how literature, film and all other arts converse beyond national and medial borders. Stam, like no-one else, can make sense of the jargon of 'trans', 'inter' and 'global' that litters contemporary academic vocabulary. Away from easy sloganeering and drawing on his truly encyclopaedic erudition in art history and theory, he weaves these terms into a 'network of activism', as he calls it, in order to effectively combat ideas of 'primacies' and 'centres' so dear to the colonial project. Stam’s luminous scholarship is ferociously political, but equally compelling for its openness to the beauty of the arts, languages and cultures of the entire world."

Lúcia Nagib, University of Reading

"In the 21st century most cultural fields such as cinema, literature, and music have abandoned their national identities for a global practice in which different traditions and forms pass through new crucibles of creativity. Yet while their critical reception has acknowledged the irruption of the global within them, Robert Stam is the first to demonstrate that global also means the crossing of different fields with each other. This brilliant study of transcreativity across contemporary cultures offers the first analysis of the transformative power of globalization across the media."

Robert J. C. Young, New York University

"Written with encyclopedic erudition, the book can simultaneously be read as a sophisticated reader or "keyword" reference book providing guidance to navigate an increasingly complex body of academic literature [... ] and a much more ambitious essay calling for experimental teaching and research methodologies [...] Stam’s line of arguments transgresses well-established national, disciplinary and historical borders—a gesture that often implies a critical revision of the traditional toolbox of (Western) film scholars."

SYNOPTIQUE Review, Pablo La Parra-Pérez

See the publisher website: Routledge

> From the same author:

François Truffaut and Friends:Modernism, Sexuality, and Film Adaptation

François Truffaut and Friends (2006)

Modernism, Sexuality, and Film Adaptation

by Robert Stam

Subject: One Film > Jules and Jim

Tropical Multiculturalism:A Comparative History of Race in Brazilian Cinema and Culture

Tropical Multiculturalism (1997)

A Comparative History of Race in Brazilian Cinema and Culture

by Robert Stam

Subject: Countries > Brazil

Brazilian Cinema:third edition

Brazilian Cinema (1995)

third edition

Dir. Randal Johnson and Robert Stam

Subject: Countries > Brazil

Reflexivity in Film and Culture:From Don Quixote to Jean-Luc Godard

Reflexivity in Film and Culture (1992)

From Don Quixote to Jean-Luc Godard

by Robert Stam

Subject: Theory

> On a related topic:

Transnational Screens:Expanding the Borders of Transnational Cinema

Transnational Screens (2024)

Expanding the Borders of Transnational Cinema

Dir. Armida De La Garza, Ruth Doughty and Deborah Shaw

Subject: Countries > World

How the World Remade Hollywood:Global Interpretations of 65 Iconic Films

How the World Remade Hollywood (2022)

Global Interpretations of 65 Iconic Films

by Ed Glaser

Subject: Countries > World

Transnational Cinema at the Borders:Borderscapes and the cinematic imaginary

Transnational Cinema at the Borders (2020)

Borderscapes and the cinematic imaginary

Dir. Ana Cristina Mendes and John Sundholm

Subject: Countries > World

Foreign Language Films and the Oscar:The Nominees and Winners, 1948–2017

Foreign Language Films and the Oscar (2018)

The Nominees and Winners, 1948–2017

by Michael S. Barrett

Subject: Countries > World

Cinéma-monde:Decentred Perspectives on Global Filmmaking in French

Cinéma-monde (2018)

Decentred Perspectives on Global Filmmaking in French

Dir. Michael Gott and Thibaut Schilt

Subject: Countries > World

One World, Big Screen:Hollywood, the Allies, and World War II

One World, Big Screen (2016)

Hollywood, the Allies, and World War II

by M. Todd Bennett

Subject: Countries > World

Global Art Cinema:New Theories and Histories

Global Art Cinema (2010)

New Theories and Histories

Dir. Rosalind Galt

Subject: Countries > World

Exile Cinema:Filmmakers at Work beyond Hollywood

Exile Cinema (2008)

Filmmakers at Work beyond Hollywood

Dir. Michael Atkinson

Subject: Countries > World

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