Les livres en français sont sur www.livres-cinema.info
MENU   

A Biography of the Pixel

(livre en anglais)

de Alvy Ray Smith

Type
Essais
Sujet
TechniqueToutes les techniques
Mots Clés
numérique, Pixar, informatique
Année d'édition
2021
Editeur
The MIT Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 560 pages
17,5 x 22,5 cm
ISBN
978-0-262-54245-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
The Great Digital Convergence of all media types into one universal digital medium occurred, with little fanfare, at the recent turn of the millennium. The bit became the universal medium, and the pixel--a particular packaging of bits--conquered the world. Henceforward, nearly every picture in the world would be composed of pixels--cell phone pictures, app interfaces, Mars Rover transmissions, book illustrations, videogames. In A Biography of the Pixel, Pixar cofounder Alvy Ray Smith argues that the pixel is the organizing principle of most modern media, and he presents a few simple but profound ideas that unify the dazzling varieties of digital image making.

Smith's story of the pixel's development begins with Fourier waves, proceeds through Turing machines, and ends with the first digital movies from Pixar, DreamWorks, and Blue Sky. Today, almost all the pictures we encounter are digital--mediated by the pixel and irretrievably separated from their media; museums and kindergartens are two of the last outposts of the analog. Smith explains, engagingly and accessibly, how pictures composed of invisible stuff become visible--that is, how digital pixels convert to analog display elements. Taking the special case of digital movies to represent all of Digital Light (his term for pictures constructed of pixels), and drawing on his decades of work in the field, Smith approaches his subject from multiple angles--art, technology, entertainment, business, and history. A Biography of the Pixel is essential reading for anyone who has watched a video on a cell phone, played a videogame, or seen a movie.

Voir le site internet de l'éditeur The MIT Press

> Sur un thème proche :

Digital Compositing for Film and Video:Production Workflows and Techniques

Digital Compositing for Film and Video (2024)

Production Workflows and Techniques

de Steve Wright

Sujet : Technique > Effets spéciaux

Moving Pictures, Living Machines:Automation, Animation and the Imitation of Life in Cinema and Media

Moving Pictures, Living Machines (2020)

Automation, Animation and the Imitation of Life in Cinema and Media

Collectif

Sujet : Théorie

The Computer-Animated Film:Industry, Style and Genre

The Computer-Animated Film (2018)

Industry, Style and Genre

de Christopher Holliday

Sujet : Genre > Animation

Distribution Revolution:Conversations about the Digital Future of Film and Television

Distribution Revolution (2014)

Conversations about the Digital Future of Film and Television

de Michael Curtin, Jennifer Holt et Kevin Sanson

Sujet : Technique > Toutes les techniques

New Digital Cinema:Reinventing the Moving Image

New Digital Cinema (2005)

Reinventing the Moving Image

de Holly Willis

Sujet : Technique > Toutes les techniques

The Aesthetics of Digital Montage:Film Editing and Technological Change

The Aesthetics of Digital Montage (2024)

Film Editing and Technological Change

de Marc Furstenau

Sujet : Technique > Montage

11794 livres recensés   •   (c)2024-2025 cinemabooks.info   •