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The Aesthetics of Digital Montage

Film Editing and Technological Change (livre en anglais)

de Marc Furstenau

Type
Etudes
Sujet
TechniqueMontage
Mots Clés
montage, technologie, numérique
Année d'édition
2024 (28 octobre 2024)
Editeur
Amsterdam University Press
Collection
Cinema and Technology
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 372 pages
15,5 x 23,5 cm
ISBN
978-94-6372-280-3
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Description de l'ouvrage :
Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema.

Voir le site internet de l'éditeur Amsterdam University Press

> Du même auteur :

Special Effects on the Screen:Faking the View from Méliès to Motion Capture

Special Effects on the Screen (2022)

Faking the View from Méliès to Motion Capture

Dir. Martin Lefebvre et Marc Furstenau

Sujet : Technique > Effets spéciaux

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