New Digital Cinema
Reinventing the Moving Image (livre en anglais)
de Holly Willis
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage :
This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.
À propos de l'auteur :
Holly Willis is the editor of RES Magazine, a bimonthly publication chronicling innovations in film, video and music; and co-curator of RESFEST, and annual traveling festival of shorts, music videos and design films. She has written extensively on independent and experimental media.
Revue de Presse :
"Trim and copiously illustrated" "...An excellent primer on theoretical approaches to the new digital cinema." Cineaste
Voir le site internet de l'éditeur Wallflower Press
> Du même auteur :
> Sur un thème proche :
New Media Technology and Motion Pictures (2024)
Dir. Daniel S. Hunt
Sujet : Technique > Toutes les techniques
Distribution Revolution (2014)
Conversations about the Digital Future of Film and Television
de Michael Curtin, Jennifer Holt et Kevin Sanson
Sujet : Technique > Toutes les techniques
The Aesthetics of Digital Montage (2024)
Film Editing and Technological Change
Adaptation in the Age of Media Convergence (2018)
Dir. Johannes Fehrle et Werner Schäfke
Sujet : Technique > Adaptation
The Future of Memory (2025)
A History of Lossless Format Standards in the Moving Image Archive
de Jimi Jones et Marek Jancovic
Sujet : Economie