Les livres en français sont sur www.livres-cinema.info
MENU   

Sur un thème proche :

The Aesthetics of Digital Montage:Film Editing and Technological Change

The Aesthetics of Digital Montage (2024)

Film Editing and Technological Change

de Marc Furstenau

Sujet : Technique > Montage

Between Images:Montage and the Problem of Relation

Between Images (2023)

Montage and the Problem of Relation

de Ryan Conrath

Sujet : Technique > Montage

Final Cut Pro Efficient Editing:The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

Final Cut Pro Efficient Editing (2023)

The ultimate guide to editing video with FCP 10.7.1 for faster, smarter workflows

de Iain Anderson

Sujet : Technique > Montage

Documentary Editing:Principles & Practice

Documentary Editing (2023)

Principles & Practice

de Jacob Bricca

Sujet : Technique > Montage

Making the Cut at Pixar:The Art of Editing Animation

Making the Cut at Pixar (2022)

The Art of Editing Animation

de Bill Kinder et Bobbie O'Steen

Sujet : Technique > Montage

Editing for Directors:A Guide for Creative Collaboration

Editing for Directors (2021)

A Guide for Creative Collaboration

de Gael Chandler

Sujet : Technique > Montage

On Film Editing:An Introduction to the Art of Film Construction

On Film Editing (2018)

An Introduction to the Art of Film Construction

de Edward Dmytryk

Sujet : Technique > Montage

Film Editing - History, Theory and Practice

Looking at the Invisible (livre en anglais)

de Don Fairservice

Type
Ouvrage didactique
Sujet
TechniqueMontage
Mots Clés
montage
Année d'édition
2001
Editeur
Manchester University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 368 pages
15,5 x 24 cm
ISBN-10
ISBN-13
0-7190-5777-9
978-0-7190-5777-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership.

À propos de l'auteur :
Don Fairservice is an award-winning, freelance film editor who has taught at The National Film and Television School and The Northern School of Film and Television in Leeds

Revue de Presse :
"It offers many insights into silent film editing, as well as the editing of classic Hollywood pictures and some contemporary works." --American Cinematographer

Voir le site internet de l'éditeur Manchester University Press

12581 livres recensés   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info