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Film Editing - History, Theory and Practice
Looking at the Invisible
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Book Presentation:
The first-ever comprehensive examination of the film editor's craft from the beginning of cinema to the present day. Of all the film-making crafts, editing is the least understood. Using examples drawn from classic film texts, this book clarifies the editor's role and explains how the editing process maximises the effectiveness of the filmed material. Traces the development of editing from the primitive forms of early cinema through the upheavals caused by the advent of sound, to explore the challenges to convention that began in the 1960s and which continue into the twenty-first century. New digital technologies and the dominance of the moving image as an increasingly central part of everyday life have produced a radical rewriting of the rules of audio-visual address. It is not a technical treatise; instructive and accessible, this historically-based insight into filmmaking practice will prove invaluable to students of film and also appeal to a much wider readership.
About the Author:
Don Fairservice is an award-winning, freelance film editor who has taught at The National Film and Television School and The Northern School of Film and Television in Leeds
Press Reviews:
"It offers many insights into silent film editing, as well as the editing of classic Hollywood pictures and some contemporary works." --American Cinematographer
See the publisher website: Manchester University Press
> On a related topic:
The Aesthetics of Digital Montage (2024)
Film Editing and Technological Change
On Film Editing (2018)
An Introduction to the Art of Film Construction
Editing and Montage in International Film and Video (2017)
Theory and Technique
Beyond Spatial Montage (2016)
Windowing, or the Cinematic Displacement of Time, Motion, and Space
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