Les livres en français sont sur www.livres-cinema.info
Technology and Culture, The Film Reader
(livre en anglais)
Sous la direction de Andrew Utterson
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
Technology and Culture: The Film Reader brings together key theoretical texts from more than a century of writing on film and technology. It begins by exploring the intertwined technologies of cinematic representation, reproduction, distribution and reception, before locating the technological history of cinema as one component of an increasingly complex technological culture.
The selected articles encompass a range of disciplines, perspectives and methodologies, reflecting the multiplicity of contemporary approaches to technology. They are grouped into four thematic sections, each with an introduction by the editor.
Origins and Evolution - examines the lineage of cinema's machines, while challenging the received notion that cinema began with a discrete moment of invention
Definitions and Determinism - redefines technology, moving beyond an isolated description of cinema's physical tools to consider the forces that play a part in shaping their form and function
Projections and Aesthetics - analyzes the exchange between cinematic and other technologies, in terms of cinema's capacity to reflect on and negotiate technologies other than its own
Contexts and Consequences - situates the technologies of cinema within a broader framework, charting their engagement with the spheres of discourse at work within society
À propos de l'auteur :
Andrew Utterson is a Senior Lecturer in the Department of Media, Canterbury Christ Church University College, UK, where he is director of the degree in Digital Culture, Arts and Media. He has published on film theory, digital theory, and on the intersection of these fields.
Voir le site internet de l'éditeur Routledge
> Du même auteur :
Film Theory (2003)
Critical Concepts in Media and Cultural Studies
Dir. Philip Simpson, Andrew Utterson et K. J. Shepherdson
Sujet : Théorie
> Sur un thème proche :
The Future of Memory (2025)
A History of Lossless Format Standards in the Moving Image Archive
de Jimi Jones et Marek Jancovic
Sujet : Economie
Cinema and Machine Vision (2024)
Artificial Intelligence, Aesthetics and Spectatorship
Sujet : Théorie
Retour
