Les livres en français sont sur www.livres-cinema.info
MENU   

Persistent Images

Encountering Film History in Contemporary Cinema (livre en anglais)

de Andrew Utterson

Type
Etudes
Sujet
Généralités
Mots Clés
mémoire
Année d'édition
2020
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 160 pages
15,5 x 23,5 cm
ISBN
978-1-4744-4072-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
Considers the nature and status of contemporary cinema by way of a series of technological reflections on its past
• Argues for a progressive historiography that looks forward, moving beyond the sense of anxiety and loss that has dominated accounts of cinema's postulated demise
• Draws on the latest thinking on evolving screen technologies and media archaeology and the development of cognate areas such as memory studies
• Charts the historical memory of cinema, with a view to considering how our engagement with, and understanding of, this history might be reconfigured in the present.

Channelling a focus on the history of cinema into the present and beyond, Persistent Images: Encountering Film History in Contemporary Cinema explores the continuing resonance of the memory of cinema as revealed in the technological and aesthetic expressions of a range of experimental practices. With case studies of films that reflexively foreground and creatively reimagine the past, including Shirin (2008), Goodbye to Language (2014) and Francofonia (2015), the book demonstrates how the medium of film can look simultaneously backwards and forwards, encountering and reframing the past in the present, and offering new ways of thinking about both film history and contemporary cinema alike.

À propos de l'auteur :
Dr Andrew Utterson is Associate Professor of Screen Studies at Ithaca College

Voir le site internet de l'éditeur Edinburgh University Press

> Sur un thème proche :

The Future of Memory:A History of Lossless Format Standards in the Moving Image Archive

The Future of Memory (2025)

A History of Lossless Format Standards in the Moving Image Archive

de Jimi Jones et Marek Jancovic

Sujet : Economie

Archiveology:Walter Benjamin and Archival Film Practices

Archiveology (2018)

Walter Benjamin and Archival Film Practices

de Catherine Russell

Sujet : Théorie

Projections of Memory:Romanticism, Modernism, and the Aesthetics of Film

Projections of Memory (2016)

Romanticism, Modernism, and the Aesthetics of Film

de Richard I. Suchenski

Sujet : Théorie

The Past Is a Moving Picture:Preserving the Twentieth Century on Film

The Past Is a Moving Picture (2014)

Preserving the Twentieth Century on Film

de Janna Jones

Sujet : Economie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •