Les livres en français sont sur www.livres-cinema.info
MENU   

Technology and Film Scholarship

Experience, Study, Theory (livre en anglais)

Sous la direction de Santiago Hidalgo

Type
Etudes
Sujet
Théorie
Mots Clés
théorie, évolution, technologie
Année d'édition
2018
Editeur
Amsterdam University Press
Collection
Film Theory in Media History
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 408 pages
15,5 x 23,5 cm
ISBN
978-90-8964-754-2
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger.

À propos de l'auteur :
Santiago Hidalgo is lecturer in film studies at the University of Montreal and co-editor of The Blackwell Companion to EarlyCinema. Foreword by André Gaudreault, professor of film studies at the University of Montreal and the director of the bilingual journal Cinémas.

Voir le site internet de l'éditeur Amsterdam University Press

> Sur un thème proche :

The Moving Form of Film:Historicising the Medium through Other Media

The Moving Form of Film (2023)

Historicising the Medium through Other Media

Dir. Lúcia Nagib et Stefan Solomon

Sujet : Théorie

Framed Time:Toward a Postfilmic Cinema

Framed Time (2008)

Toward a Postfilmic Cinema

de Garrett Stewart

Sujet : Théorie

Cinema and Machine Vision:Artificial Intelligence, Aesthetics and Spectatorship

Cinema and Machine Vision (2024)

Artificial Intelligence, Aesthetics and Spectatorship

de Daniel Chávez Heras

Sujet : Théorie

The Digital Image and Reality:Affect, Metaphysics and Post-Cinema

The Digital Image and Reality (2019)

Affect, Metaphysics and Post-Cinema

de Daniel Strutt

Sujet : Théorie

The Politics of Perfection:Technology and Creation in Literature and Film

The Politics of Perfection (2016)

Technology and Creation in Literature and Film

de Kimberly Hurd Hale

Sujet : Théorie

Fractal Narrative:About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces

Fractal Narrative (2014)

About the Relationship Between Geometries and Technology and Its Impact on Narrative Spaces

de German A. Duarte

Sujet : Théorie

Death 24x a Second:Stillness and the Moving Image

Death 24x a Second (2006)

Stillness and the Moving Image

de Laura Mulvey

Sujet : Théorie

CineWorlding:Scenes of Cinematic Research-Creation

CineWorlding (2024)

Scenes of Cinematic Research-Creation

de Michael B. MacDonald

Sujet : Sociologie

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

The Attractions of the Moving Image (2025)

Essays on History, Theory, and the Avant-Garde

de Tom Gunning

Sujet : Théorie

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •