Italian National Cinema
1896-1996 (livre en anglais)
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Description de l'ouvrage :
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
Filming the Nation (2010)
Jung, Film, Neo-Realism and Italian National Identity
Scoring Italian Cinema (2025)
Patterns of Collaboration
Dreamscapes in Italian Cinema (2019)
Dir. Francesco Pascuzzi et Bryan Cracchiolo
Screening Religions in Italy (2019)
Contemporary Italian Cinema and Television in the Post-Secular Public Sphere
Masculinity and Italian Cinema (2014)
Sexual Politics, Social Conflict and Male Crisis in the 1970s
The Transatlantic Gaze (2014)
Italian Cinema, American Film