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Italian National Cinema
1896-1996
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Book Presentation:
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
See the publisher website: Routledge
> On a related topic:
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Jung, Film, Neo-Realism and Italian National Identity
Traditions in World Cinema (2006)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Scoring Italian Cinema (2025)
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Dreamscapes in Italian Cinema (2019)
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Contemporary Italian Cinema and Television in the Post-Secular Public Sphere
Masculinity and Italian Cinema (2014)
Sexual Politics, Social Conflict and Male Crisis in the 1970s
The Transatlantic Gaze (2014)
Italian Cinema, American Film
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