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Masculinity and Italian Cinema

Sexual Politics, Social Conflict and Male Crisis in the 1970s (livre en anglais)

de Sergio Rigoletto

Type
Etudes
Sujet
PaysItalie
Mots Clés
cinéma italien, masculinité
Année d'édition
2014
Editeur
Edinburgh University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 176 pages
15,5 x 23,5 cm
ISBN
978-0-7486-5454-3
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Description de l'ouvrage :
A study of how Italian films re-envisage male identity in response to sexual liberation

How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon?

Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci’s The Conformist, Federico Fellini’s City of Women, Ettore Scola’s A Special Day, Pier Paolo Pasolini’s Teorema and Lina Wertmüller’s The Seduction of Mimì, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film.

À propos de l'auteur :
Sergio Rigoletto is Assistant Professor of Italian and Cinema Studies at the University of Oregon, USA

Voir le site internet de l'éditeur Edinburgh University Press

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