Books in French are on www.livres-cinema.info
MENU   

On a related topic:

The Language of Food:Through the Lens of East Asian Films and Drama

The Language of Food (2024)

Through the Lens of East Asian Films and Drama

by Jieun Kiaer, Loli Kim and Niamh Calway

Subject: Countries > Asia

East Asian-German Cinema:The Transnational Screen, 1919 to the Present

East Asian-German Cinema (2023)

The Transnational Screen, 1919 to the Present

Dir. Joanne Miyang Cho

Subject: Countries > Asia

Women in East Asian Cinema:Gender Representations, Creative Labour and Global Histories

Women in East Asian Cinema (2023)

Gender Representations, Creative Labour and Global Histories

Dir. Felicia Chan, Fraser Elliott and Andrew Willis

Subject: Countries > Asia

The Coming Death:Traces of Mortality across East Asia

The Coming Death (2022)

Traces of Mortality across East Asia

by Richard F. Calichman

Subject: Countries > Asia

Power Misses II:Cinema, Asian and Modern

Power Misses II (2020)

Cinema, Asian and Modern

by David E. James

Subject: Countries > Asia

Exploiting East Asian Cinemas:Genre, Circulation, Reception

Exploiting East Asian Cinemas (2019)

Genre, Circulation, Reception

Dir. Ken Provencher and Mike Dillon

Subject: Countries > Asia

South and East Asian Cinemas Across Borders

Critical Trends in Transnational Cinema

Edited by Clelia Clini, Rohit K. Dasgupta and Yanling Yang

Type
Studies
Subject
CountriesAsia
Keywords
South Asia, East Asia, global
Publishing date
2023
1st publishing
2021
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 102 pages
6 ¾ x 9 ½ inches (17 x 24 cm)
ISBN
978-0-367-69374-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions. At a time of resurgent nationalisms and increasing fortifications of (actual and symbolic) borders, the chapters in this book explore cinematic work that challenge these boundaries and promote a reflection on the social, cultural, political and economic value of international exchanges and collaborations within the context of Asia.

Indeed, notwithstanding the aforementioned tendency to implement border policing and the revival of nationalist sentiments, South and East Asian cinemas retain a strong transnational character, as not only genres and themes are borrowed and exchanged across borders, but also the popularity of the Indian, Chinese and Korean film industries extend well beyond their national borders – within Asia as well as in the West.

The chapters in this book were originally published as a special issue of Transnational Screens.

About the authors:
Clelia Clini is Research Associate at the Institute for Media and Creative Industries in Loughborough University, UK.

Rohit K. Dasgupta is Senior Lecturer in Cultural Industries at the School of Culture and Creative Arts in the University of Glasgow, UK.

Yanling Yang is Lecturer in Languages and Communications at the College of Humanities in the University of Exeter, UK.

See the publisher website: Routledge

> From the same authors:

11794 books listed   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info