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Women in East Asian Cinema:Gender Representations, Creative Labour and Global Histories

Women in East Asian Cinema (2025)

Gender Representations, Creative Labour and Global Histories

Dir. Felicia Chan, Fraser Elliott et Andrew Willis

Sujet : Pays > Asiatique

The Language of Food:Through the Lens of East Asian Films and Drama

The Language of Food (2024)

Through the Lens of East Asian Films and Drama

de Jieun Kiaer, Loli Kim et Niamh Calway

Sujet : Pays > Asiatique

East Asian-German Cinema:The Transnational Screen, 1919 to the Present

East Asian-German Cinema (2023)

The Transnational Screen, 1919 to the Present

Dir. Joanne Miyang Cho

Sujet : Pays > Asiatique

The Coming Death:Traces of Mortality across East Asia

The Coming Death (2022)

Traces of Mortality across East Asia

de Richard F. Calichman

Sujet : Pays > Asiatique

Brushed in Light:Calligraphy in East Asian Cinema

Brushed in Light (2021)

Calligraphy in East Asian Cinema

de Abé Markus Nornes

Sujet : Pays > Asiatique

Power Misses II:Cinema, Asian and Modern

Power Misses II (2020)

Cinema, Asian and Modern

de David E. James

Sujet : Pays > Asiatique

South and East Asian Cinemas Across Borders

Critical Trends in Transnational Cinema (livre en anglais)

Sous la direction de Clelia Clini, Rohit K. Dasgupta et Yanling Yang

Type
Etudes
Sujet
PaysAsiatique
Mots Clés
Asie du sud, Asie de l'Est, mondial
Année d'édition
2023
Editeur
Routledge
1ere édition
2021
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 102 pages
17 x 24 cm
ISBN
978-0-367-69374-9
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Description de l'ouvrage :
This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions. At a time of resurgent nationalisms and increasing fortifications of (actual and symbolic) borders, the chapters in this book explore cinematic work that challenge these boundaries and promote a reflection on the social, cultural, political and economic value of international exchanges and collaborations within the context of Asia.

Indeed, notwithstanding the aforementioned tendency to implement border policing and the revival of nationalist sentiments, South and East Asian cinemas retain a strong transnational character, as not only genres and themes are borrowed and exchanged across borders, but also the popularity of the Indian, Chinese and Korean film industries extend well beyond their national borders – within Asia as well as in the West.

The chapters in this book were originally published as a special issue of Transnational Screens.

À propos des auteurs :
Clelia Clini is Research Associate at the Institute for Media and Creative Industries in Loughborough University, UK.

Rohit K. Dasgupta is Senior Lecturer in Cultural Industries at the School of Culture and Creative Arts in the University of Glasgow, UK.

Yanling Yang is Lecturer in Languages and Communications at the College of Humanities in the University of Exeter, UK.

Voir le site internet de l'éditeur Routledge

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