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Power Misses II

Cinema, Asian and Modern

by David E. James

Type
Studies
Subject
CountriesAsia
Keywords
Asian Americans, East Asia, politics
Publishing date
2020
Publisher
John Libbey Publishing
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 208 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-86196-747-6
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Book Presentation:
Like David James' earlier collection of essays, Power Misses: Essays Across (Un)Popular Culture (1996), the present volume, Power Misses II: Cinema, Asian and Modern is concerned with popular cultural activity that propose alternatives and opposition to capitalist media. Now with a wider frame of reference, it moves globally from west to east, beginning with films made during the Korean Democracy Movement, and then turning to socialist realism in China and Taiwan, and to Asian American film and poetry in Los Angeles. Several other avant-garde film movements in L.A. created communities resistant to the culture industries centered there, as did elements in the classic New York avant-garde, here instanced in the work of Ken Jacobs and Andy Warhol. The final chapter concerns little-known films about communal agriculture in the Nottinghamshire village of Laxton, the only one where the medieval open-field system never suffered enclosure. This survival of the commons anticipated resistance to the extreme and catastrophic forms of privatization, monetization, and theft of the public commonweal in the advanced form of capitalism we know as neoliberalism.

About the Author:
David E. James taught in the School of Cinematic Arts at the University of Southern California for thirty years, focusing on avant-garde cinema, culture in Los Angeles, East-Asian cinema, film and music, and working-class culture. His books include The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles; Optic Antics: The Cinema of Ken Jacobs; and Rock 'N' Film: Cinema's Dance With Popular Music, and his collection of essays (with Adam Hyman) Alternative Projections: Experimental Film in Los Angeles, 1945–1980.

See the publisher website: John Libbey Publishing

> From the same author:

Rock 'N' Film:Cinema's Dance With Popular Music

Rock 'N' Film (2017)

Cinema's Dance With Popular Music

by David E. James

Subject: Technique > Music

Optic Antics:The Cinema of Ken Jacobs

Optic Antics (2011)

The Cinema of Ken Jacobs

Dir. Michele Pierson, David E. James and Paul Arthur

Subject: Director > Ken Jacobs

Im Kwon-Taek:The Making of a Korean National Cinema

Im Kwon-Taek (2001)

The Making of a Korean National Cinema

Dir. David E. James and Kyung Hyun Kim

Subject: Director > Im Kwon-Taek

To Free the Cinema:Jonas Mekas and the New York Underground

To Free the Cinema (1992)

Jonas Mekas and the New York Underground

Dir. David E. James

Subject: Director > Jonas Mekas

> On a related topic:

Ghostlife of Third Cinema:Asian American Film and Video

Ghostlife of Third Cinema (2009)

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Film Regulation, Foreign Relations, and East Asian Representations

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Gender Representations, Creative Labour and Global Histories

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Subject: Countries > Asia

East Asian-German Cinema:The Transnational Screen, 1919 to the Present

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The Transnational Screen, 1919 to the Present

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South and East Asian Cinemas Across Borders (2023)

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Subject: Countries > Asia

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