Books in French are on www.livres-cinema.info
MENU   

On a related topic:

African Cinema:Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

African Cinema (2023)

Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

Dir. Michael T. Martin and Gaston Jean-Marie Kaboré

Subject: Countries > Africa

African Cinema:Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record--Declarations, Resolutions, Manifestos, Speeches

African Cinema (2023)

Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record--Declarations, Resolutions, Manifestos, Speeches

Dir. Michael T. Martin and Gaston Jean-Marie Kaboré

Subject: Countries > Africa

Italy Meets Africa:Colonial Discourses in Italian Cinema

Italy Meets Africa (2011)

Colonial Discourses in Italian Cinema

by Roberta Di Carmine

Subject: Countries > Italy

Performing the Cold War in the Postcolonial World:Theatre, Film, Literature and Things

Performing the Cold War in the Postcolonial World (2024)

Theatre, Film, Literature and Things

Dir. Christopher B. Balme

Subject: Sociology

Black (Post-)Cinemas:Genealogies, Practices, Aesthetics

Black (Post-)Cinemas (2025)

Genealogies, Practices, Aesthetics

by Maja Figge

Subject: Countries > Africa

Colonial Cinema in Africa

Origins, Images, Audiences

by Glenn Reynolds

Type
Studies
Subject
CountriesAfrica
Keywords
Africa, colonialism
Publishing date
2015
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 240 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-7864-7985-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the “Scramble for Africa” and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship.

While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period—wrought by large-scale mining in southern Africa—led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.

About the Author:
Glenn Reynolds is a professor of history at Mount Saint Mary College in Newburgh, New York. He specializes in forgotten cinemas at the margins, especially colonial cinema in Africa, and the global proliferation of missionary films. He lives in Ossining, New York.

See the publisher website: McFarland & Co

> From the same author:

Movies on a Mission:American Protestants and the Foreign Missionary Film, 1906–1956

Movies on a Mission (2023)

American Protestants and the Foreign Missionary Film, 1906–1956

by Glenn Reynolds

Subject: Genre > Documentary

11794 books listed   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info