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Subjectivity and Decolonisation in the Post-Independence Novel and Film
de Sarah Jilani
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Description de l'ouvrage:
Discusses the ways in which post-independence novels and films understand the relationship between subjectivity and decolonisation
• Examines Frantz Fanon’s materialist approach to the self
• Considers the representation of subjectivity in post-independence novels and films
• Offers interdisciplinary analyses that bridge postcolonial literary studies and film studies
The decades following the independences from colonialism saw a pioneering generation of realist novels and films emerge across Africa and South Asia. They told stories of people living through national circumstances fast diverging from the promises of decolonisation.
Subjectivity and Decolonisation in the Post-Independence Novel and Film explores how post-independence texts critique their own political conditions by choosing to narrate a different, but related, problem – that which Ngugi wa Thiong’o once called ‘decolonising the mind’. Guided by the psycho-political thought of Frantz Fanon, who maps a dialectical relationship between decolonisation and the self, this book considers how eight well known and less studied works from the 1950s–1980s. Together, they help us understand how the transformation of subjectivities is a materially consequential process that sits squarely within the broader, unfinished project that is decolonisation.
À propos de l'auteur :
Sarah Jilani is a Lecturer in English at City, University of London, and a 2021 AHRC/BBC New Generation Thinker. She is the author of several articles on postcolonial literatures and film that have appeared in Textual Practice, Interventions, and Journal of Commonwealth Literature, amongst others, and a widely published culture journalist.
Revue de Presse:
"Sarah Jilani's ambitious first book, with its study of contestations of selfhood in the ferment of anti-colonial struggle, is timely and necessary. I commend it highly for two of its key achievements. First, it demonstrates a decolonial method by using not only the rich literary and cinematic productions of the global south but also the philosophy and thought emanating from an emergent postcolonial imaginary. Moreover, it builds bridges and solidarities between non-adjacent but comparable cultural moments in South Asia, West Africa, and East Africa through its critical explorations of poetics, cinematics, and narrative, and without flattening difference. Attentive, rigorous, and passionate in its engagement, Subjectivity and Decolonisation in the Post-Independence Novel and Film is a powerful reckoning of historic decolonisation in the mid-twentieth century and the ideas and idealisms which remain relevant in our own benighted time of neocolonial and neo-imperial ascendancies."
– Ankhi Mukherjee, University of Oxford
"In this remarkable study, Sarah Jilani argues for an understanding of postcolonial subject-formation that is inextricable from histories of collective struggle, and for the special contribution of literature and film to the unfinished project of decolonisation. Subjectivity and Decolonisation showcases what historically informed, materially grounded, and politically committed comparative criticism can do."
– Dr Anna Bernard, author of Decolonizing Literature
Voir le site internet de l'éditeur Edinburgh University Press
> Sur un thème proche :
African Cinema (2023)
Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record--Declarations, Resolutions, Manifestos, Speeches
African Cinema (2023)
Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
Colonial Cinema in Africa (2015)
Origins, Images, Audiences
Italy Meets Africa (2011)
Colonial Discourses in Italian Cinema
Performing the Cold War in the Postcolonial World (2024)
Theatre, Film, Literature and Things
Dir. Christopher B. Balme
Sujet : Sociology
Cinema at the End of Empire (2006)
A Politics of Transition in Britain and India
Theorizing Colonial Cinema (2022)
Reframing Production, Circulation, and Consumption of Film in Asia
Dir. Nayoung Aimee Kwon, Takushi Odagiri et Moonim Baek
Cine-Mobility (2022)
Twentieth-Century Transformations in Korea's Film and Transportation
de Han Sang Kim
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