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Colonial Cinema in Africa
Origins, Images, Audiences (livre en anglais)
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Description de l'ouvrage :
In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the “Scramble for Africa” and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship.
While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period—wrought by large-scale mining in southern Africa—led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.
À propos de l'auteur :
Glenn Reynolds is a professor of history at Mount Saint Mary College in Newburgh, New York. He specializes in forgotten cinemas at the margins, especially colonial cinema in Africa, and the global proliferation of missionary films. He lives in Ossining, New York.
Voir le site internet de l'éditeur McFarland & Co
> Du même auteur :
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Sujet : Genre > Documentaire
> Sur un thème proche :
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African Cinema (2023)
Manifesto and Practice for Cultural Decolonization: Volume 3: The Documentary Record--Declarations, Resolutions, Manifestos, Speeches
Italy Meets Africa (2011)
Colonial Discourses in Italian Cinema
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Theatre, Film, Literature and Things
Dir. Christopher B. Balme
Sujet : Sociologie
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