On a related topic:
Futurist Cinema (2018)
Studies on Italian Avant-garde Film
Dir. Rossella Catanese
Subject: Genre > Experimental
Film Unframed (2012)
A History of Austrian Avant-Garde Cinema
Dir. Peter Tscherkassky
Subject: Genre > Experimental
Process Cinema
Handmade Film in the Digital Age
Edited by Scott MacKenzie and Janine Marchessault
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Book Presentation:
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.
About the authors:
Scott MacKenzie is associate professor of film and media at Queen's University. Janine Marchessault is professor of cinema and media at York University.
Press Reviews:
"Process Cinema is rich with provocative essays on critically overlooked artists." LA Review of Books
"The combination of different forms of writing makes this collection unique and dynamic, providing readers with a diverse range of perspectives on handmade film. Spanning historical, theoretical, and creative registers, Process Cinema contributes substantially to conversations on experimental film and to cinema studies generally." Josh Guilford, Amherst College
See the publisher website: McGill-Queen's University Press
> From the same authors:
New Arctic Cinemas (2023)
Media Sovereignty and the Climate Crisis
Mapping the Rockumentary (2021)
Images of Sound and Fury
Dir. Gunnar Iversen and Scott MacKenzie
Subject: Genre > Documentary
The Oxford Handbook of Canadian Cinema (2019)
Dir. Janine Marchessault and Will Straw
Arctic Cinemas and the Documentary Ethos (2019)
Dir. Lilya Kaganovsky, Scott MacKenzie and Anna Westerstahl Stenport
Subject: Genre > Documentary
Reimagining Cinema (2014)
Film at Expo 67
by Monika Kin Gagnon, Janine Marchessault and Monika Kin Gagnon
Subject: General
The Perils of Pedagogy (2013)
The Works of John Greyson
by Brenda Longfellow, Scott MacKenzie and Thomas Waugh
Subject: Director > John Greyson
Gendering the Nation (1999)
Canadian Women's Cinema
by Kay Armatage, Kass Banning, Brenda Longfellow and Janine Marchessault