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Sur un thème proche :

Absence in Cinema:The Art of Showing Nothing

Absence in Cinema (2020)

The Art of Showing Nothing

de Justin Remes

Sujet : Genre > Expérimental

Futurist Cinema:Studies on Italian Avant-garde Film

Futurist Cinema (2018)

Studies on Italian Avant-garde Film

Dir. Rossella Catanese

Sujet : Genre > Expérimental

Hamilton Babylon:A History of the Mcmaster Film Board

Hamilton Babylon (2016)

A History of the Mcmaster Film Board

de Stephen Broomer

Sujet : Genre > Expérimental

Motion(less) Pictures:The Cinema of Stasis

Motion(less) Pictures (2015)

The Cinema of Stasis

de Justin Remes

Sujet : Genre > Expérimental

Film Unframed:A History of Austrian Avant-Garde Cinema

Film Unframed (2012)

A History of Austrian Avant-Garde Cinema

Dir. Peter Tscherkassky

Sujet : Genre > Expérimental

Process Cinema

Handmade Film in the Digital Age (livre en anglais)

Sous la direction de Scott MacKenzie et Janine Marchessault

Type
Etudes
Sujet
GenreExpérimental
Mots Clés
expérimental, avant-garde
Année d'édition
2019
Editeur
McGill-Queen's University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 536 pages
20 x 25 cm
ISBN
978-0-7735-5687-4
Appréciation
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Description de l'ouvrage :
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.

À propos des auteurs :
Scott MacKenzie is associate professor of film and media at Queen's University. Janine Marchessault is professor of cinema and media at York University.

Revue de Presse :
"Process Cinema is rich with provocative essays on critically overlooked artists." LA Review of Books

"The combination of different forms of writing makes this collection unique and dynamic, providing readers with a diverse range of perspectives on handmade film. Spanning historical, theoretical, and creative registers, Process Cinema contributes substantially to conversations on experimental film and to cinema studies generally." Josh Guilford, Amherst College

Voir le site internet de l'éditeur McGill-Queen's University Press

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