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Ralph Ellison and Cinema

de Sam Halliday

Type
Studies
Sujet
General
Mots Clés
literature
Année d'édition
2025 (June 03, 2025) (à paraître)
Editeur
Anthem Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 250 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-1-78527-963-8
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Description de l'ouvrage:
Ralph Ellison and Cinema reveals the crucial role of cinema throughout Ellison's career. In his most famous work, Invisible Man (1952), cinema is part of a cultural and institutional landscape; as such, it is integral to the way the novel's protagonist feels and thinks. In Ellison's critical essays, cinema is simultaneously a crystallization of racial prejudice, a vehicle of ideas about history, and an index of the variously illusory and the revelatory character of dreams. But it is in his monumental, unfinished second novel, posthumously published as Three Days Before the Shooting . . . (2010), that Ellison's thinking about cinema is brought to its imaginative and theoretical peak. Here, Ellison gives full rein to a sensibility that is both cinephile and cine-sceptical; in the book, Ellison is as much concerned with cinematic form as he is with cinematic content. To chart the breadth and depth of Ellison's cinematic interests, Ralph Ellison and Cinema discusses the author's major works alongside private correspondence, Hollywood films in which Ellison took particular interest, and marginalia in the author's personal library. Ralph Ellison and Cinema also provides a detailed account of the intellectual and social contexts in which Ellison's works took shape.

À propos de l'auteur :
Sam Halliday teaches in the School of English and Drama at Queen Mary University of London.

Voir le site internet de l'éditeur Anthem Press

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