Books in French are on www.livres-cinema.info
On a related topic:
Radical Reality (2025)
Documentary Storytelling and the Global Fight for Social Justice
by Caty Borum and David Conrad-Pérez
Subject: Sociology
The Anti-Enlightenment in Popular Culture (2024)
Greed, Hate, Star Wars, and Star Trek
Subject: Sociology
Taking Measures (2023)
Usages of Formats in Film and Video Art
Dir. Fabienne Liptay and Carla Gabrí
Subject: Sociology
From Internationalism to Postcolonialism (2020)
Literature and Cinema between the Second and the Third Worlds
Subject: Sociology
Hollywood and the Great Depression (2016)
American Film, Politics and Society in the 1930s
Dir. Iwan Morgan and Philip John Davies
Subject: Sociology
Social and Political Change in Literature and Film
Edited by Richard Chapple
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About the Author:
Richard L. Chapple is professor and chair of the Department of Modern Languages and Linguistics at Florida State University.
Contents:
Wim Wender's Euro-American Construction Site: Paris, Texas or Texas, Paris, by Duco van Oostrum
Double Vision: Scorsese and Hitchcock, by Barbara Odabashian
Transformations of Terror: Reading Changes in Social Attitudes Through Film and Television Adaptations of Stevenson's Dr. Jekyll and Mr. Hyde, by Brian Rose
Decentering the Subject: David Hare's Wetherby, by Nicholas O. Pagan
Repercussions of the Civil War in the Canary Islands, by Margarita M. Lezcano
Cinema with a Future: The Development of Film in Quebec as an Authentic Expression of Québecois Culture, by Philip Reines
The Crack in the Facade: Social Aftershocks of Mexico's 1985
Earthquake, by Mary Tyler
Fiction into Film: "Is Dying Hard Daddy?" Hemingway's "Indian Camp," by H.R. Stoneback
Rear Window's Lisa Freemont: Masochistic Female Spectator or Post-War Socioeconomic Threat?, by Carol Mason
Revolution as Theme in John Oliver Killens' Youngblood by Charles Wilson, Jr.
Richard L. Chapple is professor and chair of the Department of Modern Languages and Linguistics at Florida State University.
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