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Viewing Positions

Ways of Seeing Film

Edited by Linda Williams

Type
Studies
Subject
Sociology
Keywords
sociology, viewer
Publishing date
1994
Publisher
Rutgers University Press
Collection
Rutgers Depth of Field Series
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 290 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-8135-2133-5
978-0-8135-2133-6
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Book Presentation:
The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies.

About the Author:
LINDA WILLIAMS is professor of film studies at the University of California, Irvine. She has won a number of awards for her work as a film producer and director, and is author of several books, including Hard Core: Power, Pleasure, and the Frenzy of the Visible.

See the publisher website: Rutgers University Press

> From the same author:

Melodrama Unbound:Across History, Media, and National Cultures

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Hard Core:Power, Pleasure, and the

Hard Core (1999)

Power, Pleasure, and the "Frenzy of the Visible", Expanded edition

by Linda Williams

Subject: Genre > Porn films

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