Viewing Positions
Ways of Seeing Film (livre en anglais)
Sous la direction de Linda Williams
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Description de l'ouvrage :
The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies.
À propos de l'auteur :
LINDA WILLIAMS is professor of film studies at the University of California, Irvine. She has won a number of awards for her work as a film producer and director, and is author of several books, including Hard Core: Power, Pleasure, and the Frenzy of the Visible.
Voir le site internet de l'éditeur Rutgers University Press
> Du même auteur :
Melodrama Unbound (2018)
Across History, Media, and National Cultures
Dir. Christine Gledhill et Linda Williams
Hard Core (1999)
Power, Pleasure, and the "Frenzy of the Visible", Expanded edition
> Sur un thème proche :
How Popular Culture Destroys Our Political Imagination (2024)
Capitalism and Its Alternatives in Film and Television
Sujet : Sociologie
What Film Is Good For (2023)
On the Values of Spectatorship
de Julian Hanich et Martin P. Rossouw
Sujet : Sociologie
Watching Films (2013)
New Perspectives on Movie-Going, Exhibition and Reception
Dir. Albert Moran et Karina Aveyard
Sujet : Sociologie