Mex-Cine
Mexican Filmmaking, Production, and Consumption in the Twenty-First Century
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Book Presentation:
A multidisciplinary investigation of contemporary Mexican cinema
Mex-Ciné offers an accessibly written, multidisciplinary investigation of contemporary Mexican cinema that combines industrial, technical, and sociopolitical analysis with analyses of modes of reception through cognitive theory. Mex-Ciné aims to make visible the twenty-first century Mexican film industry, its blueprints, and the cognitive and emotive faculties involved in making and consuming its corpus. A sustained, free-flowing book-length meditation, Mex-Ciné enriches our understanding of the way contemporary Mexican directors use specific technical devices, structures, and characterizations in making films in ways that guide the perceptual, emotive, and cognitive faculties of their ideal audiences, while providing the historical contexts in which these films are made and consumed.
Frederick Luis Aldama is Arts and Humanities Distinguished Professor of English and Director of the Latino & Latin American Space for Enrichment and Research at The Ohio State University.
See the publisher website: University of Michigan Press
> From the same author:
Reel Latinxs (2019)
Representation in U.S. Film and TV
by Frederick Luis Aldama and Christopher González
Subject: Sociology
Latinx Ciné in the Twenty-First Century (2019)
Subject: Countries > Latin America
> On a related topic:
Spectacle Every Day / Espectáculo a diario (2023)
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Filmmakers and Protagonists of the Twenty-First Century
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Mexico Unmanned (2022)
The Cultural Politics of Masculinity in Mexican Cinema
The Lost Cinema of Mexico (2022)
From Lucha Libre to Cine Familiar and Other Churros
Dir. Olivia Cosentino and Brian Price
The White Indians of Mexican Cinema (2022)
Racial Masquerade throughout the Golden Age
Tastemakers and Tastemaking (2021)
Mexico and Curated Screen Violence
Legacies of the Past (2020)
Memory and Trauma in Mexican Visual and Screen Cultures
Dir. Niamh Thornton and Miriam Haddu