Books in French are on www.livres-cinema.info
Woman-Centered Brazilian Cinema
Filmmakers and Protagonists of the Twenty-First Century
Edited by Jack A. Draper III and Cacilda M. Rêgo
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Illuminates the complex factors that have helped or hindered creative work by and about women in the twenty-first-century Brazilian film industry.
Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers-including directors, screenwriters, and producers-and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.
About the authors:
Jack A. Draper III is Associate Professor of Portuguese at the University of Missouri. He is the author of Saudade in Brazilian Cinema: The History of Emotion on Film and Forró and Redemptive Regionalism from the Brazilian Northeast: Popular Music in a Culture of Migration, and is translator of The Black Man in Brazilian Soccer. Cacilda M. Rêgo is Professor of Portuguese and Brazilian Cultural Studies in the Department of World Languages and Cultures at Utah State University. She is coeditor (with Carolina Rocha) of New Trends in Argentine and Brazilian Cinema and coeditor (with Marcus Brasileiro) of Migration in Lusophone Cinema.
Press Reviews:
"The prose of the essays is readable, and the scholarly apparatus is thorough." ― CHOICE
"Woman-Centered Brazilian Cinema looks beyond the white, male filmmaking canon and examines the impact of film viewing beyond the traditional cinema-going experience. Unique in its coverage, this collection makes a very significant contribution to the field." ― Stephanie Dennison, author of Remapping Brazilian Film Culture in the Twenty-First Century
See the publisher website: State University of New York Press
> From the same authors:
Saudade in Brazilian Cinema (2017)
The History of an Emotion on Film
> On a related topic:
The White Indians of Mexican Cinema (2022)
Racial Masquerade throughout the Golden Age
Mock Classicism (2018)
Latin American Film Comedy, 1930–1960
by Nilo Couret
Subject: Countries > Latin America
Spectacle Every Day / Espectáculo a diario (2023)
Essays on classical Mexican cinema 1940-1969
Dir. Díaz de la Vega Alonso and Jorge Javier Negrete Camacho
(in English and Spanish)
The Lost Cinema of Mexico (2022)
From Lucha Libre to Cine Familiar and Other Churros
Dir. Olivia Cosentino and Brian Price
Mexico Unmanned (2022)
The Cultural Politics of Masculinity in Mexican Cinema
Tastemakers and Tastemaking (2021)
Mexico and Curated Screen Violence
Legacies of the Past (2020)
Memory and Trauma in Mexican Visual and Screen Cultures
Dir. Niamh Thornton and Miriam Haddu
Back
