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Unholy Trinity
State, Church, and Film in Mexico
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Description de l'ouvrage:
Examines representations of religion in Mexican film from the Golden Age to the early twenty-first century.
Rebecca Janzen brings a unique applied understanding of religion to bear on analysis of Mexican cinema from the Golden Age of the 1930s onward. Unholy Trinity first examines canonical films like Emilio Fernández's María Candelaria and Río Escondido that mythologize Mexico's past, suggesting that religious imagery and symbols are used to negotiate the place of religion in a modernizing society. It next studies films of the 1970s, which use motifs of corruption and illicit sexuality to critique both church and state. Finally, an examination of films from the 1990s and 2000s, including Guita Schyfter's Novia que te vea, a film that portrays Mexico City's Ashkenazi and Sephardic Jewish communities in the twentieth century, and Carlos Carrera's controversial 2002 film El crimen del padre Amaro, argues that religious imagery—related to the Catholic Church, people's interpretations of Catholicism, and representations of Jewish communities in Mexico—allows the films to critically engage with Mexican politics, identity, and social issues.
À propos de l'auteur :
Rebecca Janzen is Assistant Professor of Spanish and Comparative Literature at the University of South Carolina. She is the author of The National Body in Mexican Literature: Collective Challenges to Biopolitical Control and Liminal Sovereignty: Mennonites and Mormons in Mexican Culture, also published by SUNY Press.
Voir le site internet de l'éditeur State University of New York Press
> Sur un thème proche :
The Mexican Revolution on the World Stage (2019)
Intellectuals and Film in the Twentieth Century
Celluloid Nationalism and Other Melodramas (2003)
From Post-Revolutionary Mexico to fin de siglo Mexamerica
de Susan Dever
Constructing the Image of the Mexican Revolution (2010)
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Woman-Centered Brazilian Cinema (2023)
Filmmakers and Protagonists of the Twenty-First Century
Dir. Jack A. Draper III et Cacilda M. Rêgo
Spectacle Every Day / Espectáculo a diario (2023)
Essays on classical Mexican cinema 1940-1969
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(en anglais et espagnol)
The White Indians of Mexican Cinema (2022)
Racial Masquerade throughout the Golden Age
Mexico Unmanned (2022)
The Cultural Politics of Masculinity in Mexican Cinema
The Lost Cinema of Mexico (2022)
From Lucha Libre to Cine Familiar and Other Churros
Dir. Olivia Cosentino et Brian Price
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