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On a related topic:

The Holy Grail on Film:Essays on the Cinematic Quest

The Holy Grail on Film (2015)

Essays on the Cinematic Quest

Dir. Kevin J. Harty

Subject: On Films > Objects in Films

Veiled Desires:Intimate Portrayals of Nuns in Postwar Anglo-American Film

Veiled Desires (2013)

Intimate Portrayals of Nuns in Postwar Anglo-American Film

by Maureen Sabine

Subject: On Films > Characters

The Celluloid Madonna:From Scripture to Screen

The Celluloid Madonna (2011)

From Scripture to Screen

by Catherine O'Brien

Subject: On Films > Characters

Religion, Theology, and Stranger Things:Studies from the Upside Down on Evil, Ethics, Horror, and Hope

Religion, Theology, and Stranger Things (2025)

Studies from the Upside Down on Evil, Ethics, Horror, and Hope

Dir. Andrew J. Byers and Adam J. Powell

Subject: One Film > Stranger Things (TV Series)

The Wages of Cinema:A Christian Aesthetic of Film in Conversation with Dorothy L. Sayers

The Wages of Cinema (2025)

A Christian Aesthetic of Film in Conversation with Dorothy L. Sayers

by Crystal L. Downing

Subject: Sociology

Film As Religion

Myths, Morals, and Rituals

by John C. Lyden

Type
Didactic
Subject
On FilmsFilm selections
Keywords
religion
Publishing date
2019
Publisher
New York University (NYU) Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 320 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-4798-1199-1
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Book Presentation:
The first edition of Film as Religion was one of the first texts to develop a framework for the analysis of the religious function of films for audiences. Like more formal religious institutions, films can provide us with ways to view the world and the values to confront it. Lyden argues that the cultural influence of films is analogous to that of religions, so that films can be understood as representing a “religious” worldview in their own right.

Thoroughly updating his examples, Lyden examines a range of film genres and individual films, from The Godfather to The Hunger Games to Frozen, to show how film can function religiously.

See the publisher website: New York University (NYU) Press

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