The Vatican Versus Horror Movies
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Since public audiences were first introduced to the medium of film in 1895, the Catholic Church has sought to impose its will on the distribution and exhibition of movies. These activities include the fortnightly publication of the Segnalazioni Cinematografiche, which passed Catholic moral judgment on every film released. In this pamphlet and in other settings, no set of filmmakers has invited the ire of the Vatican as much as those working in the genres of horror and exploitation. At times, filmmakers have responded in kind, attacking the Catholic church directly and indirectly, presenting clergy as outright antagonists and shining a light on the Vatican’s crimes past and present, including its collusion with fascism.
Translating the judgments of the Segnalazioni Cinematografiche into English for the first time and juxtaposing them with film content and social and historical context, this book presents in full the cultural conflict between the Vatican and horror movies.
About the Author:
Matt Rogerson lives in Manchester, United Kingdom, where he works in health research. A PAGE International Screenwriting Awards finalist and film critique writer specializing in Italian genre film, he has been featured in Diabolique Magazine, Dread Central, Horror Homeroom, Horrified Magazine, and Long Live the Void.
See the publisher website: McFarland & Co
> From the same author:
Fulci's Inferno (2025)
Faith in the Films of a Horror and Giallo Auteur
Subject: Director > Lucio Fulci
> On a related topic:
The Exorcist Effect (2023)
Horror, Religion, and Demonic Belief
by Joseph P. Laycock and Eric Harrelson
Divine Horror (2017)
Essays on the Cinematic Battle Between the Sacred and the Diabolical
Dir. Cynthia J. Miller and A. Bowdoin Van Riper
The Screen Chills Companion, 1940–1946 (2025)
Films of the Golden Age of Hollywood Horror
The Politics of Monstrous Figures in Contemporary Cinema (2025)
Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World
The Post-Zombie (2025)
Essays on the Evolving Undead
Dir. C. Wylie Lenz, Angela Tenga and Kyle William Bishop