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On a related topic:

Bible and Cinema:An Introduction

Bible and Cinema (2022)

An Introduction

by Adele Reinhartz

Subject: General

Moses in America:The Cultural Uses of Biblical Narrative

Moses in America (2002)

The Cultural Uses of Biblical Narrative

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Film As Religion:Myths, Morals, and Rituals

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Myths, Morals, and Rituals

by John C. Lyden

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The Holy Grail on Film:Essays on the Cinematic Quest

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Veiled Desires:Intimate Portrayals of Nuns in Postwar Anglo-American Film

Veiled Desires (2013)

Intimate Portrayals of Nuns in Postwar Anglo-American Film

by Maureen Sabine

Subject: On Films > Characters

The Celluloid Madonna:From Scripture to Screen

The Celluloid Madonna (2011)

From Scripture to Screen

by Catherine O'Brien

Subject: On Films > Characters

The Bible Onscreen in the New Millennium

New Heart and New Spirit

Edited by Wickham Clayton

Type
Studies
Subject
On FilmsFilm selections
Keywords
Bible, religion, 21st century
Publishing date
2020
Publisher
Manchester University Press
Collection
Rethinking Art's Histories
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 304 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-5261-3657-2
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Book Presentation:
The remarkable commercial success of Mel Gibson's The Passion of the Christ in 2004 came as a surprise to the Hollywood establishment, particularly considering the film's failure to find production funding through a major studio. Since then the Biblical epic, long thought dead in terms of mainstream marketability, has become a viable product. This collection examines the new wave of the genre, which includes such varied examples as Darren Aronofsky's Noah (2014) and Ridley Scott's Exodus: Gods and Kings (2014), along with the telenovelas of Latin America. Such texts follow previous traditions while appearing distinct both stylistically and thematically from the Biblical epic in its prime, making academic consideration timely and relevant. Featuring contributions from such scholars as Mikel J. Koven, Andrew B. R. Elliott and Martin Stollery, and a preface from Adele Reinhartz, the book will be of interest to students and scholars of film, television and religion.

About the Author:
Wickham Clayton is Lecturer in Film Production at the University for the Creative Arts, Farnham

See the publisher website: Manchester University Press

> From the same author:

See! Hear! Cut! Kill!:Experiencing Friday the 13th

See! Hear! Cut! Kill! (2020)

Experiencing Friday the 13th

by Wickham Clayton

Subject: One Film > Friday the 13th

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