Luis Bunuel
The Red Years, 1929-1939
by Román Gubern and Paul Hammond
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
“An indispensable book for the Buñuel scholar and
important to those interested in the history of Spanish film, the in-workings of the Surrealist movement, and the European left-wing political scene from the late twenties through the Spanish Civil War.”
—Julie Jones, University of New Orleans
The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause.
Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism.
Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.
About the authors:
Román Gubern is professor at the Universitat Autónoma de Barcelona and has been a guest researcher at MIT. He is author of numerous screenplays for film and television and of more than forty books on cinema, popular culture, and semiotics, including 1936–1939: La Guerra de España en la pantalla.
Paul Hammond is author and editor of several books, including The Shadow and Its Shadow: Surrealist Writings on the Cinema. Among his many translations is A Panorama of American Film Noir by Borde and Chaumeton. Both authors live in Barcelona.
See the publisher website: University of Wisconsin Press
See the complete filmography of Luis Buñuel on the website: IMDB ...
> Books with the same or similar title:
Luis Bunuel (2004)
New Readings
by Isabel Santaolalla and Peter William Evans
Subject: Director > Luis Buñuel
> From the same authors:
> On a related topic:
Blood Cinema (1993)
The Reconstruction of National Identity in Spain
Conversations with Buñuel (2017)
Interviews with the Filmmaker, Family Members, Friends and Collaborators
by Max Aub
Subject: Director > Luis Buñuel
A Search for Belonging (2017)
The Mexican Cinema of Luis Buñuel
by Marc Ripley
Subject: Director > Luis Buñuel
Luis Bunuel (2004)
New Readings
by Isabel Santaolalla and Peter William Evans
Subject: Director > Luis Buñuel
An Unspeakable Betrayal (2002)
Selected Writings of Luis Buñuel
by Luis Buñuel
Subject: Director > Luis Buñuel
Religion and Spanish Film (2014)
Luis Buñuel, The Franco Era, and Contemporary Directors