Books in French are on www.livres-cinema.info
Cinema Eye, Cinema Ear
Some Key Film-makers of the Sixties
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of a group of key film-makers in the sixties suggests that during this decade there was an emergence of a generation of film-makers who conceived a whole film in their minds just as an architect conceives a whole cathedral or a composer a whole symphony.
The book presents detailed critical studies of the work of six commanding figures in the international cinema: four who have made their major reputations since 1950, the Italians Frederico Fellini and Michelangelo Antonioni, the Frenchman Robert Bresson and the Swede Ingmar Bergman; and two film-makers of an older generation, the Spaniard Luis Buñuel and the Anglo-American Alfred Hitchcock, who have reached the height of their powers and exerted their most important influence on the cinema during the same period. There is also a section on the new talents to emerge more recently in the French ‘New Wave’, in particular François Truffaut, Jen-Luc Godard and Alain Resnais. In addition, the book contains detailed filmographies of the directors discussed.
See the publisher website: Routledge
> From the same author:
Glamour of the Gods (2011)
Hollywood Portraits
by Robert Dance, John Russell Taylor and John Kobal
Subject: On Films > On Set Photos
> On a related topic:
The Architecture of Suspense (2022)
The Built World in the Films of Alfred Hitchcock
Subject: Director > Alfred Hitchcock
A Level Film Studies (2025)
The Essential Introduction
by Sarah Casey Benyahia and John White
Subject: Film Analysis
Film and Television Analysis (2024)
An Introduction to Methods, Theories, and Approaches
by Harry M. Benshoff and Caryn Murphy
Subject: Film Analysis
Back
