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Blood Cinema

The Reconstruction of National Identity in Spain

de Marsha Kinder

Type
Studies
Sujet
CountriesSpain
Mots Clés
Spain, director, Pedro Almodóvar, Luis Buñuel, Carlos Saura
Année d'édition
1993
Editeur
University of California Press
Collection
Centennial Book
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 568 pages
6 x 8 ¾ inches (15 x 22.5 cm)
ISBN-10
ISBN-13
0-520-08157-9
978-0-520-08157-4
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Description de l'ouvrage:
In this innovative synthesis of film history and cultural analysis, Marsha Kinder examines the films of such key directors as Buñuel, Saura, Erice, and Almodóvar, as well as works from the popular cinema and television, exploring how they manifest political and cultural tensions related to the production of Spanish national identity within a changing global context. Concentrated on the decades from the 1950s to the 1990s, Kinder's work is broadly historical but essentially conceptual, moving backward and forward in time, drawing examples from earlier films and from works of art and literature, and providing close readings of a wide range of texts. Her questioning and internationalizing of the "national cinema" concept and her application of contemporary critical theory—especially insights from feminism, Marxism, psychoanalysis, cultural studies, and discourse theory—distinguish Blood Cinema from previous film histories. The author also makes use of a variety of sources within Spain such as the commentaries on Spanish character and culture by Unamunov and others, the contemporary debate over the restructuring of Spanish television. Kinder's book moves Spanish cinema into the mainstream of film studies by demonstrating that a knowledge of its history alters and enriches our understanding of world cinema. The interactive CD-ROM is available from CINE-DISCS, 2021 Holly Hill Terrace, Los Angeles, CA 90068, (213) 876-7678.

À propos de l'auteur :
Marsha Kinder is Professor of Critical Studies in the School of Cinema-Television at the University of Southern California. Her most recent books are Playing With Power in Movies, Television, and Video Games (California, 1991) and Remapping the Post-Franco Cinema, a special issue of Quarterly Review of Film and Video (1991).

Revue de Presse:
"This is the most complete, in-depth, sophisticated study of Spanish cinema available in any language."—Marvin D'Lugo, author of The Films of Carlos Saura

Voir le site internet de l'éditeur University of California Press

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