A Companion to Contemporary French Cinema
by Alistair Fox, Michel Marie, Raphaëlle Moine and Hilary Radner
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day.
Features original contributions from top film scholars relating to all aspects of contemporary French cinema
Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters
Utilizes groundbreaking research on cinema beyond the fiction film and the cinema–theater such as documentary, amateur, and digital filmmaking
Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies
Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
See the publisher website: Wiley-Blackwell
> From the same authors:
Is It French? Popular Postnational Screen Fiction from France (2024)
Dir. Mary Harrod and Raphaëlle Moine
Subject: Sociology
Coming-of-Age Cinema in New Zealand (2017)
Genre, Gender and Adaptation
by Alistair Fox
Subject: Countries > New Zealand
Speaking Pictures (2016)
Neuropsychoanalysis and Authorship in Film and Literature
by Alistair Fox
Subject: Sociology
New Zealand Cinema (2011)
Interpreting the Past
Dir. Alistair Fox, Barry Keith Grant and Hilary Radner
Subject: Countries > New Zealand
Jane Campion (2009)
Cinema, Nation, Identity
Dir. Alistair Fox, Hilary Radner and Irène Bessière
Subject: Director > Jane Campion
> On a related topic:
Berlin Replayed (2015)
Cinema and Urban Nostalgia in the Postwall Era
Remaking Brazil (2012)
Contested National Identities in Contemporary Brazilian Cinema